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Browse this Journal: The Studio by clicking on the Article Title below
The Studio: 42 Chapters found for Volume : 14
| Issue: 63 | |
|
| 2 | 1 pp. | |
| 3 | 7 pp. | |
| 10 | The Future of Wood-Engraving Alfred Lys Baldry |
6 pp. |
| 16 | 5 pp. | |
| 21 | 7 pp. | |
| 28 | The Three Vernets - Joseph, Carle, Horace. Armand Dayot |
7 pp. |
| 37 | 1 pp. | |
| 38 | 12 pp. | |
| 50 | 19 pp. | |
| 69 | 5 pp. | |
| 74 | The Lay Figure The Lay Figure |
1 pp. |
| Issue: 64 | |
|
| 77 | The Work of Bertram Priestman Alfred Lys Baldry |
10 pp. |
| 76 | 1 pp. | |
| 87 | Evesham as a Sketching Ground. Alfred Paterson |
4 pp. |
| 91 | Some Furniture for the New Palace, Darmstadt. M. H. Baillie Scott |
6 pp. |
| 97 | Tanagra Terra-Cottas. Marcus Huish |
9 pp. |
| 107 | 2 pp. | |
| 109 | 12 pp. | |
| 121 | 22 pp. | |
| 143 | 7 pp. | |
| 106 | 1 pp. | |
| Issue: 65 | |
|
| 153 | The Work of James Clark Alfred Lys Baldry |
10 pp. |
| 152 | 1 pp. | |
| 163 | Celtic Sculpture J. Romilly Allen |
9 pp. |
| 172 | Expressive Line Frederick Wedmore |
9 pp. |
| 186 | 5 pp. | |
| 191 | Bimanual Training H. Bloomfield Bare |
2 pp. |
| 193 | 5 pp. | |
| 196 | 16 pp. | |
| 214 | 2 pp. | |
| 216 | 8 pp. | |
| 224 | The Lay Figure The Lay Figure |
1 pp. |
| 181 | 5 pp. | |
| Issue: 66 | |
|
| 227 | A Painter of Dead Cities: M. Albert Baertsoen Gabriel Mourey |
10 pp. |
| 226 | 1 pp. | |
| 235 | 5 pp. | |
| 245 | Photography and Colour Printing in Japan M. R. Hill-Burton |
9 pp. |
| 254 | An Experiment in Cast-Iron Work. C. R. Ashbee |
3 pp. |
| 257 | 6 pp. | |
| 282 | 12 pp. | |
| 294 | 1 pp. | |
| 240 | 5 pp. |
Browse this Journal: The Studio by Volume by clicking on the cover image below
The Studio: 84 Volumes found
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Title: The Studio
Place of Publication: London England
Publisher: The Studio Ltd.
Frequency: Monthly
Period of Publication: 1893-1964
Period covered by AHR net: Volumes 1-84, 1893-1922
Type of Publication: Journal
Description: The Studio was one of the most respected and influential art journals published in Britain. It was international in its coverage, and contained, long, often well-illustrated articles on all aspects of the decorative, fine and applied arts. It included contributions from many of the leading art critics of the day, e.g. Aymer Vallance, Fernand Knopff and A. Lys Baldry. Each issue of The Studio also contained a round-up of the latest art news, reports on recent exhibitions, and book reviews. The Studio played an important role in promoting trends and developments in contemporary art and was largely responsible for establishing the reputations of many artists notably Aubrey Beardsley, James McNeill Whistler, and the artists of the Glasgow School. |
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