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Title: American Art Annual

 

Place of Publication: New York, NY USA

 

Publisher: The Macmillan Company [later Washington, D.C.: The American Federation of Arts]

 

Frequency: Annual

 

Period of Publication: 1898-

 

Period covered by AHR net: Volumes 1-6, 8-14, 1898-1908, 1910-1917

 

Type of Publication: Journal

 

Description: Now known as the American Art Directory, the American Art Annual was founded by Florence N. Levy. It contains an annual report of art activities in the USA, including associations and societies, art schools, art museums, auction houses, and the art press. Also contains obituary notices and a biannual Who’s Who of painters, illustrators, sculptors and art dealers; and a directory of art museum workers, writers and lecturers on art, and college art instructors

 

 

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Architecture

 

Painting

 

Sculpture

 

Decorative Art and Design

 

Available: 2022

 

 

 

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Title: The American Art Review

 

Place of Publication: Boston, Massachusetts [etc.] USA

 

Publisher: D. Estes and C. E. Lauriat

 

Frequency: Monthly

 

Period of Publication: 1879-1881

 

Period covered by AHR net: Volume 2, 1880-1881

 

Type of Publication: Journal

 

Description: The American Art Review was founded and edited by Sylvester Rosa Koehler (1837-1900).  Born in Leipzig, Germany, he emigrated with his family to the USA in 1849. He subsequently became Technical Manager of the lithograph publisher Louis Prang and Company, and the first curator of prints at the Museum of Fine Arts in Boston. In his introduction to volume 1 of The American Art Review (1879), Koehler proclaimed that his aim in establishing the journal was to create a periodical that would “occupy a position analogous to that held by the “celebrated” European publications Gazette des Beaux Arts, L’Art’, the Portfolio, and the Zeitschrift für bildende Kunst. Although The American Art Review was to survive for only two years, largely as a result of its lavish production costs, it is generally acknowledged today as a primary catalyst in fostering the art of etching in America.  Notable among the artists who were commissioned to produce original etchings for the journal were Otto Bacher, J. M. Falconer Thomas and Peter Moran, Henry Farrer, Samuel Coleman, Anna Lea Merritt, Robert Swain Gifford, Alfred Brennan, James D. Smillie, John Foxcroft Cole, and Marcel Gaugengigl. Significant among the articles published by The American Art Review was were a ‘A History of Wood-Engraving in America’ by W.J. Linton; and ‘American Stained Glass’ by R. Riordan.

 

 

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Title: The Apple

 

Place of Publication: London England

 

Publisher: Colour/Morland Press, Ltd.

 

Frequency: Quarterly

 

Period of Publication: 1920-1922

 

Period covered by AHR net: 1920-22

 

Type of Publication: Journal

 

Description: Published quarterly as an off-shoot of Colour magazine between January 1920 and April 1922. The magazine is divided into two distinct sections “Art”, which encompasses etchings, woodcuts, pencil drawings, etchings engravings, charcoal drawings, sculpture, lithographs, wash drawings, and aquatints, and "Letters”, which includes literary criticism, topical articles, poetry and short stories. Among the literary contributors are Ezra Pound, Kenneth Hare, Cecil French, Thomas Moult, W. H. Davies, Robert Grave, etc. Wyndham Lewis, Frank Brangwyn, John Nash, Gordon Craig, Steinlen, Randolph Schwabe, Joseph Southall, George Clausen, Paul Nash, Claude Lovat Fraser, Lucian Pissarro, Robert Gibbings, E, Knight Kauffer, Charles Ginner, Ethel Gabain, and others.

 

 

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Drawing

 

Etching

 

Engraving

 

Graphic Art

 

Lithography

 

Illustration

 

Sculpture

 

Painting

 

Art and Literature

 

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Title: Art et Décoration

 

Place of Publication: Paris, France France

 

Publisher: Librairie Centrale des Beaux Arts

 

Frequency: Monthly

 

Period of Publication: 1897-1925

 

Period covered by AHR net: Volumes 1-28, 1897-1910*

 

Type of Publication: Journal

 

Description: Art et Décoration, could be described as “the French Studio”. It was launched four years after its British counterpart and had the same editorial style as The Studio with long, well-illustrated articles on contemporary fine, decorative and applied art, together with book and exhibition reviews and news items. The focus of Art et Décoration was on French, Belgian and Western European art. It includes extensive coverage of several international exhibitions including the Exposition Universelle et Industrielle in Paris in 1900. Publication of Art et Décoration was suspended between August 1914-April 1919. In June 1914 it absorbed L’Art Décoratif.

 

 

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Interior Design and Decoration

 

Furniture

 

Ceramics

 

Glass

 

Jewellery

 

Metalwork

 

Painting

 

Sculpture

 

Textile Design

 

Bookbinding

 

 

 

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Title: Art in Australia

 

Place of Publication: Sydney, Australia Australia

 

Publisher: Sydney Ure Smith, Bertram-Stevens, and C. L. Jones

 

Frequency: Two issues a year; from 1921 quarterly

 

Period of Publication: 1916-1940

 

Period covered by AHR net: Vols 1-3

 

Type of Publication: Journal

 

Description: Art in Australia was the first significant art journal to be published in Australia and is now very scarce. We have digitized the first ten years of the journal (1916-1925) in its entirety, including the advertisements.  Each issue of the journal has approximately 100-pages, however, it was not paginated.  The fact that it is so scarce and is not paginated, probably accounts for the fact that articles from this journal are seldom cited. In digitizing the journal, we have added pagination (assuming the title page to be page 1).  As with all the journals digitized by AHR net, we have added biographical information on all the artists whose work is discussed or illustrated in Art in Australia, giving the full name and gender of the artist, together with a supplementary bibliography and Internet links.

 

 

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Architecture

 

Painting

 

Sculpture

 

Graphic Art

 

Illustratiion

 

Wood Engraving

 

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Title: The Art Review

 

Place of Publication: Glasgow, Scotland Scotland

 

Publisher: Walter Scott

 

Frequency: Monthly

 

Period of Publication: 1890

 

Period covered by AHR net: Vol 1, 1890

 

Type of Publication: Journal

 

Description: Short-lived art journal - only seven issues were published (January-July 1890). It was the successor of The Scottish Art Review (1888-1890). Like it’s predecessor it contained a wide-ranging mix of articles including a report on the Rembrandt exhibition at Burlington House, London in 1890; and articles on the London Impressionists; The Teaching of Drawing in Parisian Municipal Schools; Thoreau’s Poetry; Heine on Music; Auguste Rodin; Marie Bashkirtseff; Alfred East; Alfred Roll; and G.F. Watts. Also contains art news, and book and exhibition reviews. Contributors included Walter Savage Landor, Lawrence Housman, Arthur Symons, Edward Carpenter, and Gleeson White.

 

 

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Illustration

 

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Title: Art Review A Survey of British Art In All Its Branches 1934

 

Place of Publication: London

 

Publisher: Artist Publishing Co.

 

Period of Publication: 1934

 

Type of Publication: Journal

 

Description: Although ostensibly a survey of all aspects of British art, the primary focus of Art Review was on the visual arts - painting, poster design, magazine illustration, book jacket design and humorous art. It also included an annual report on the latest developments in theatre set and costume design.

 

 

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Painting

 

Illustration

 

Cartoons and Caricatures

 

Poster Design

 

Book Jacket Design

 

Theatre Design

 

 

 

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Title: Art Review A Survey of British Art In All Its Branches 1935

 

Place of Publication: London

 

Publisher: Artist Publishing Co.

 

Period of Publication: 1935

 

Type of Publication: Journal

 

Description: Although ostensibly a survey of all aspects of British art, the primary focus of Art Review was on the visual arts - painting, poster design, magazine illustration, book jacket design and humorous art. It also included an annual report on the latest developments in theatre set and costume design.

 

 

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Painting

 

Illustration

 

Cartoons and Caricatures

 

Poster Design

 

Book Jacket Design

 

Theatre Design

 

Available: 2023

 

 

 

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Title: Art Review A Survey of British Art In All Its Branches 1937

 

Place of Publication: London

 

Publisher: Artist Publishing Co.

 

Period of Publication: 1937

 

Type of Publication: Journal

 

Description: Although ostensibly a survey of all aspects of British art, the primary focus of Art Review was on the visual arts - painting, poster design, magazine illustration, book jacket design and humorous art. It also included an annual report on the latest developments in theatre set and costume design.

 

 

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Painting

 

Illustration

 

Cartoons and Caricatures

 

Poster Design

 

Book Jacket Design

 

Theatre Design

 

Available: 2023

 

 

 

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Title: Art: A Monthly Record of Ancient and Modern Art

 

Place of Publication: London, England England

 

Publisher: S. C. Brown, Langham & Company

 

Frequency: Monthly

 

Period of Publication: 1903- 1905

 

Type of Publication: Journal

 

Description: Little is known about this magazine. It was edited and printed by J.-E. Buschmann in Antwerp, Belgium, and may have been a short-lived English language edition of the Belgian art journal Onze Kunst (1902-1929) which was also printed by Buschmann. There is a definite bias in ART towards Flemish and Dutch art with articles on Constantin Meunier, Rubens, contemporary Dutch applied art, the drawings of the Flemish masters, Dirk Nijland, Hugo van der Goes, H. P. Berlage, France Courtens, etc. Also contains a monthly roundup of mainly Belgian and Dutch art news.

 

 

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Painting

 

Furniture

 

Metalwork

 

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Title: Artistic Japan

 

Place of Publication: London England

 

Publisher: Sampson Low, Marston, Searle & Rivington

 

Frequency: Monthly

 

Period of Publication: 1888-1891

 

Period covered by AHR net: Volumes 1-6, 1888-1890

 

Type of Publication: Journal

 

Description: Founded and compiled by the German art dealer S. (Siegfied) Bing (1838-1905) Artistic Japan was published simultaneously in English, German [Japanischer Formenschatz] and French [Le Japon Artistique].  Bing’s declared aim in producing the journal was to “stimuler l’intérêt des amateurs”and “exercer une influence sur le goût, la culture, l’art et la constitution des collections publiques et privées” (stimulate the interest of amateurs and to influence the taste, culture, art and formation of public and private collections) in the art of Japan. One of the publication’s chief sponsors was the fashionable London retail firm Liberty & Co. who had a full-page colour advertisement for their art fabrics on the back page of every issue of the English edition. The journal contains a series of illustrated essays on architecture, engraving, Hokusai’s “Man-gwa”, the decoration of swords, Ritsuo and his School, netsukés and okimonos, the theatre in Japan, Hiroshigé, the poetic tradition in Japanese art, Animals in Japanese art, and Korin. Among contributors to Artistic Japan were Edmond de Goncourt, Roger Marx, Victor Champier, and Eugène Guillaume. The editor of the English edition was Marcus B. Huish (1843-1921).

 

 

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Architecture

 

Painting

 

Engraving

 

Decorative Art and Design

 

Illustration

 

Textile Design

 

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Title: The Artists Monthly

 

Place of Publication: London England

 

Publisher: The Artists Monthly

 

Frequency: Monthly

 

Period of Publication: 1925-1926

 

Period covered by AHR net: Vols, 1-2, 1925-1926

 

Type of Publication: Journal

 

Description: Primarily a fine art journal, however, also covered music, theatre arts and dance. Contained an eclectic mix of articles seemingly without any focus, including articles on Michelangelo; advertising as a career; Rembrandt as an etcher; making home movies; Hans Holbein the Younger; Van Dyck; Dante Gabriel Rossetti; wood engraving; Antoine Watteau; radio drama as a new art form; folk dancing in England, J.M.W. Turner; and the art critic Walter Pater.

 

 

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Illustration

 

Engraving

 

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Title: The Artists Record

 

Place of Publication: London England

 

Publisher: The Artists’ Record

 

Frequency: Monthly

 

Period of Publication: 1887

 

Period covered by AHR net: Vol. 1 1887

 

Type of Publication: Journal

 

Description: Subtitled A Monthly Journal of Authoritative Criticisms on Works of Art for Artists and all Art Professions. Scarce short-lived magazine – only 12 issues were published (July 1887-June 1888). Contained brief articles on the art market; biographies of artists; art news; reports on art sales; and exhibition and book reviews. So far only one issue (vol.1, no.1, July 1887) has been digitized by AHR net. Further issues will be digitized if they can be traced. This issue contained articles on Queen Victoria’s Jubilee and the fine arts; Indian Art; George Du Maurier; Messrs. Dowdeswell’s new galleries; the new rooms in the National Gallery; and critical notes on the Royal Academy.

 

 

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Painting

 

Sculpture

 

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Title: Les Arts

 

Place of Publication: Paris, France France

 

Publisher: Goupil & Cie, monthly

 

Frequency: Monthly

 

Period of Publication: 1902-1920

 

Period covered by AHR net: Volumes 1-15, 1902-1919

 

Type of Publication: Journal

 

Description: Les Arts. Revue Mensuelle des Musées, Collections Expositions, Published monthly by Goupil & Cie. (publication was suspended between Oct. 1914 and March 1916 inclusive). The editors and co-proprietors of Les Arts were Michel Manzi (1902-1914) and Maurice Joyant (1916-1922). The journal covered the fine and decorative arts, both early and modern, and contained long well-illustrated articles, including an annual report on the Paris Salons. Les Arts was, however, rather conservative and contained little on the avant-garde movements active in Paris during years of its publication. This possibly reflected the taste of its editors, who were art dealers, collectors and co-owners of Galerie Manzi-Joyant, a fine art gallery and publishing house in Paris. Manzi was an friend of Edgar Degar who painted him in c.1889, and Joyant was a close friend of Toulouse-Lautrec and organised retrospectives of his work in 1902, 1907 and 1914.

 

 

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Painting

 

Sculpture

 

Decorative Art and Design

 

 

 

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Title: Arts and Decoration

 

Place of Publication:

 

Publisher: Adam Budge Inc.

 

Period of Publication: 1912

 

Type of Publication: Journal

 

Description: Arts and Decoration published its first issue in 1910. It absorbed Art World in 1918 (and was known briefly as "The Art World and Arts and Decoration", before reverting to "Arts and Decoration" in 1919. No issue or contribution copyright renewals were found for this serial. It ceased publication in 1942. The journal contained articles on contemporary American fine, decorative and applied arts; art news; and exhibition and book reviews

 

 

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Painting

 

Illustration

 

Decorative Art and Design

 

Applied Art and Design

 

Furniture

 

Interior Design and Decoration

 

Ceramics

 

Glass

 

Sculpture

 

 

 

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Editor: W. J. Spurrier

 

Title: Birmingham Magazine of Arts and Industries

 

Place of Publication: Birmingham

 

Publisher: Birmingham Cosmopolitan Club

 

Period of Publication: 1897-1903

 

Type of Publication: Journal

 

Description: Contains short, well-illustrated articles on contemporary fine, applied and decorative art, architecture and photography in Birmingham. Also includes reports on the work of the major manufacturers in the city.

 

 

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Architecture

 

Industrial Design

 

Painting

 

Sculpture

 

Lighting

 

Decorative Art and Design

 

Available: 2023

 

 

 

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Title: Colour

 

Place of Publication: London England

 

Publisher: Colour Magazine

 

Frequency: Monthly

 

Period of Publication: 1914-1932

 

Period covered by AHR net: Volumes 1-19

 

Type of Publication: Journal

 

Description: Colour contained an eclectic mixture of short stories, poetry, and articles about art.  What makes it particularly interesting is its numerous reproductions (mainly in colour) of work by contemporary British painters, particularly by members of the Camden Town Group and the London Group, such as Robert Bevan, Walter Sickert, Harold Gilman and Charles Ginner.  It also includes many examples of work by First World War artists. The digitization will include all the advertisements that accompany the magazine.

 

 

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Painting

 

Illustration

 

Graphic Art

 

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Title: Deutsche Kunst und Dekoration

 

Place of Publication: Darmstadt Germany

 

Publisher: Alexander Koch

 

Frequency: Monthly

 

Period of Publication: 1897-1932

 

Period covered by AHR net: Volumes 1-27, 1897-1911*

 

Type of Publication: Journal

 

Description: Deutsche Kunst und Dekoration, sometime known as “the German Studio”, was launched four years after its British counterpart. It is similar, both in size and format, to The Studio, and like its predecessor, focused on the work of contemporary artists. It also included book and exhibition reviews and news items. Although international in its coverage, Deutsche Kunst und Dekoration had a bias towards German, Austrian, Scandinavian and Central European art. It included extensive reports on the Exposition Universelle et Industrielle in Paris in 1900, the Esposizione Internale d’Arte Decorativa Moderna held in Turin in 1902, and the work of the Wiener Werkstätte and the Deutsche Werkstätte.

 

 

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Architecture

 

Interior Design and Decoration

 

Furniture

 

Ceramics

 

Glass

 

Jewellery

 

Metalwork

 

Painting

 

Sculpture

 

Textile Design

 

Available: 1897-1911 available now; 1912-1925 available soon

 

 

 

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Title: Il Giovane Artista Moderno

 

Place of Publication: Turin Italy

 

Publisher: E. Cordier Editore

 

Frequency: Fortnightly

 

Period of Publication: 1902-1903

 

Period covered by AHR net: 1902-1903

 

Type of Publication: Journal

 

Description: Rare and fragile magazine. Each issue consists of 12 loose-leaf pages containing an introduction followed by numerous examples of contemporary Italian decorative and applied art, e.g. ceramics, glass, jewelry, art metalwork, furniture, posters, advertising graphics, illustration, etc. The magazine was heavily influenced by the prevailing Stile (Art Nouveau) style and was probably launched to coincide with the Esposizione Internazionale d'Arte Decorativa Moderna (International Exposition of Modern Decorative Arts) held in Turin in 1902. Il Giovane Artista Moderna was succeeded by L'Artista Moderno. Rivista illustrata d'arte applicata (1904-1941). Although initially also issued fortnightly and continuing the volume sequence of Il Giovane Artista Moderna, L'Artista Moderno. Rivista illustrata d'arte was more conventional in its format.

 

 

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Painting

 

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Illustration

 

Ceramics

 

Glass

 

Poster Design

 

Jewellery

 

Metalwork

 

Advertising Design

 

Furniture

 

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Title: The Ideal

 

Place of Publication: London, England England

 

Publisher: George Newnes Ltd.

 

Frequency: Quarterly

 

Period of Publication: 1903

 

Type of Publication: Journal

 

Description: Edited by G. M. Temple. The most short-lived of art magazines - only one issue was published [volume 1, part 1, 1903]. It was extremely large in format [55 cm x 40 cm], issued in a box, and in a limited edition of only 250 copies. The cost of production may account for the fact that no further issues were published. Articles include ‘Celebrated Artists and their Work – 1. Valasquez’ by Frederick Wedmore; ‘Artists’ Ideals of Women’ by Sir Wyke Bayliss; ‘A Moorish Garden: A Dream of Granada by Lord Leighton P.R.A.’ by G. M. Temple; ‘The Venice of Turner’ by Bernard Capes; ‘Illuminated Horæ: Some Early Netherlandish Examples’ by W. H. James Weale; ‘Fortuny’ by A. Lys Baldry, etc.

 

 

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Painting

 

Illustration

 

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Title: L'image

 

Place of Publication: Paris France

 

Publisher: A. Floury, Éditeur

 

Frequency: Monthly

 

Period of Publication: 1896-1897

 

Period covered by AHR net: Numbers 1-12, 1896-97

 

Type of Publication: Journal

 

Description: L’Image, subtitled Revue Mensuelle Artistic et Litteraire and as Revue Mensuelle Litteraire et Artistic, was published monthly in Paris between December 1896 and December 1897 by Henri Floury on behalf of the Corporation Française des Graveurs sur Bois. The editor was the engraver Tony Beltrand, who also provided art direction in collaboration with Léon Ruffe and Auguste Lepère The aim of L’Image was to promote and encourage the art of wood engraving. It featured original work by many of the leading engravers, illustrators, graphic artists and painters then active in France including Jules Chéret, Eugène Carrière, Fantin-Latour, Victor Prouvé, Henri Bellery-Desfontaines, Puvis de Chavannes, Jean Émile Laboureur, Alphonse Mucha, Maurice Denis, Eugène Froment, Léon Perrichon, Georges de Feure, Auguste Rodin, Kees van Dongen, Edgar Degas, Frédéric Florian, Georges Jeanniot, Clément Bellenger, Eugène Carrière, Lucien Pissarro, Jacques Beltrand, Adolphe Hervier, Eugène Dété, Paul César Helleu, Théodule Ribot Félix Vallotton, Albert Besnard, Félix Bracquemond, Daniel Vierge, Louis Dunki, Henri Rivière, Jean Veber. Eugène Béjot, Jean Jacques Drogue, Georges D'Espagnat and Armand Seguin. Among artists who were commissioned to design covers for L’Image were Alphonse Mucha, Toulouse-Lautrec, Henri Bellery-Desfontaines, Victor Prouvé, Paul Berthon, Georges de Feure, and Marcel Lenoir.

 

 

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Illustration

 

Graphic Art

 

Painting

 

Wood Engraving

 

Art Nouveau

 

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Title: The Kensington

 

Place of Publication: London England

 

Publisher: Simpkin Marshall Hamilton Kent & Co.

 

Frequency: Monthly

 

Period of Publication: 1901

 

Period covered by AHR net: Vol. 1

 

Type of Publication: Journal

 

Description: Short-lived (only 7 issues published, March-September 1901) magazine of art, music and literature. Edited by Mrs. Steuart Erskine [Beatrice Erskine] and R.J. Richardson. Contains articles on the present position of French Impressionism; the Guild of Women Binders; the International Art Exhibition in Venice; contemporary American painters; theatre costume design; the history of art exhibitions in Rome; contemporary Scandinavian art; the lyric poetry of Robert Bridges; the operas of Handel; the work of Charles Shannon; and sculptors of the Italian Revival. Among writers who contributed articles to The Kensington were Christopher St. John [Christabel Marshall], Ailsa Craig, Salvatori Cortesi, Harriet L. Childe-Pemberton, and Selwyn Brinton.

 

 

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Theatre Design

 

Bookbinding

 

Illustration

 

Painting

 

Sculpture

 

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Title: The New Coterie

 

Place of Publication: London England

 

Publisher: E. Archer

 

Frequency: Quarterly

 

Period of Publication: 1925-1927

 

Period covered by AHR net: 1925-1926

 

Type of Publication: Journal

 

Description: The New Coterie was the successor of Coterie (1919-1921) and was identical in its format, and similar in its contents. It consisted of six issues published between November 1925 and summer 1927. It is unclear who the editor was. It is thought that it may have been Russell Green who edited the last issue of Coterie. The front cover of each issue of The New Coterie was designed by William Roberts. Other artists whose work is reproduced in The New Coterie included Augustus John, William Rothenstein, Jean de Bosschère, Pearl Binder, Jacob Kramer, Karel Capek, Richard Wyndham, Nina Hamnett, Sidney Hunt, Bernard Meninsky, T.F. Powys, Frank Dobson, Eric Kennington, Cecil Salkeld, Stanley Spencer, and George William Bissill. Literary contributors included Nancy Cunard, Aldus Huxley, T.F. Powys, Rhys Davies, Liam O’Flaherty, D.H. Lawrence, Louis Golding, Karel Capek, and H.E. Bates.

 

 

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Art and Literature

 

Illustration

 

Painting

 

Graphic Art

 

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Title: The Pageant

 

Place of Publication: London, England England

 

Publisher: Henry & Company

 

Frequency: Annual

 

Period of Publication: 1896-1897

 

Type of Publication: Journal

 

Description: Edited by C. Hazlewood Shannon and J.W. Gleeson White. Short-lived fin-de-siècle art and literary journal. Includes literary contributions by Charles Ricketts (who designed the cover of the journal), Lucien Pissarro, by Austin Dobson, Michael Field, Edmund Gosse, Victor Plarr, John Gray, Max Beerbohm and Selwyn Image. Artists whose work is illustrated include Dante Gabriel Rossetti, Laurence Housman, Charles Conder, Reginald Savage, Walter Crane, Gustave Moreau, Charles H. Shannon, Puvis de Chavannes, Edward Burne Jones, William Strang, Will Rothenstein, Giulio Campagnola, G.F. Watts etc. See: David Peters Corbett. Symbolism in British ‘Little Magazines’: The Dial (1889-97), The Pageant (1896-7), and The Dome (1897-1900 in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880- 1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.11-119 James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.200-201

 

 

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Art and Literature

 

Illustration

 

Graphic Art

 

Painting

 

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Title: The Palette

 

Place of Publication: Glasgow, Scotland Scotland

 

Publisher: Glasgow School of Art

 

Frequency: Annual

 

Period of Publication: 1919-1922

 

Type of Publication: Journal

 

Description: Contains prose, poetry and artwork by past and present students and staff and GSA. This issue also includes an article on poster design by E. McKnight Kauffer. The cover was designed by Norman Gorell.

 

 

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Art and Literature

 

Poster Design

 

Illustration

 

Painting

 

Graphic Art

 

Available: 1922; other issues will be available soon

 

 

 

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Title: The Quartier Latin

 

Place of Publication: Paris France

 

Publisher: The American Art Association of Paris

 

Frequency: Monthly

 

Period of Publication: 1896-1899

 

Period covered by AHR net: Volumes I-VI

 

Type of Publication: Journal

 

Description: Published by the American Art Association of Paris. Written and illustrated by mainly young American and British writers and artists, mostly living in Paris at the time. Contributors include J. B. Yeats, G. O. Onions, Charles Pears, James Guthrie, Granville Fell, Gilbert James, Henry O. Tanner, F. Luis Mora, Ernest Seton Thompson, Philip Connard, Garth Jones, Dion Calthorp, Sandor Landeau, Leah Anson, Witos Tod, Kate Adair, Grace Gallatin, Ethelyn Friend, Lamar Middleton, Anna Gannon. Also includes contributions by J.K. Huysmans.

 

 

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Illustration

 

Graphic Art

 

Painting

 

Art Nouveau

 

Available: Now

 

 

 

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Title: The Scottish Art Review

 

Place of Publication: Glasgow, Scotland Scotland

 

Publisher: Elliot Stock

 

Frequency: Monthly

 

Period of Publication: 1888-1889

 

Period covered by AHR net: Vols 1-2, 1888-1889

 

Type of Publication: Journal

 

Description: A wide mix of articles on early and modern art, including articles on art at the Glasgow International Exhibition 1888; the art of Crawford Wintour; on exhibiting architectural drawings; progressiveness in art; the architecture of the Glasgow Exhibition buildings; nationality in art; new municipal buildings in Glasgow; the art student in Paris; Bastien-Lepage and Modern Realism; Japanese sword guards; modern Italian art; Sculpture at the Glasgow Exhibition; a pictorial play by Hubert von Herkomer. Also contains art news, and book and exhibition reviews. Contributors include Gleeson White, Arthur Symons, Peter Kropotkin, Havelock Ellis, Francis Newbery, Edward Carpenter, Patrick Geddes, Oscar Peterson, John Lavery and John Keppie.

 

 

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Architecture

 

Painting

 

Sculpture

 

Illustration

 

Architectural Drawing

 

Available: Now

 

 

 

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Title: The Studio

 

Place of Publication: London England

 

Publisher: The Studio Ltd.

 

Frequency: Monthly

 

Period of Publication: 1893-1964

 

Period covered by AHR net: Volumes 1-84, 1893-1922

 

Type of Publication: Journal

 

Description: The Studio was one of the most respected and influential art journals published in Britain. It was international in its coverage, and contained, long, often well-illustrated articles on all aspects of the decorative, fine and applied arts. It included contributions from many of the leading art critics of the day, e.g. Aymer Vallance, Fernand Knopff and A. Lys Baldry. Each issue of The Studio also contained a round-up of the latest art news, reports on recent exhibitions, and book reviews. The Studio played an important role in promoting trends and developments in contemporary art and was largely responsible for establishing the reputations of many artists notably Aubrey Beardsley, James McNeill Whistler, and the artists of the Glasgow School.

 

 

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Architecture

 

Interior Design and Decoration

 

Furniture

 

Ceramics

 

Glass

 

Jewellery

 

Metalwork

 

Painting

 

Sculpture

 

Textile Design

 

Available: Now

 

 

 

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Title: The Yearbook of Japanese Art

 

Place of Publication: Tokyo, Japan Japan

 

Publisher: National Committee on Intellectual Cooperation of the League of Nations Association of Japan

 

Frequency: Annual

 

Period of Publication: 1927-1932

 

Type of Publication: Journal

 

Description: Annual survey [in English] of contemporary Japanese art. Each volume contains details of recent acquisitions by art museums; reports on recent exhibitions, including those held by the Imperial Fine Arts Academy Exhibition, the Institute of Japanese Art, and the Nikakai Society; news on the activities of the principal schools and institutes of fine art in Japan; profiles of art organizations in Japan; reports on recent auction sales of works of art; a directory [biographies] of contemporary Japanese artists and art workers; illustrations of recent work by contemporary Japanese artists; and a bibliography. The Year Book of Japanese Art is an invaluable source of reference on Japanese art during the years it was published.

 

 

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Painting

 

Sculpture

 

Graphic Art

 

 

 

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Title: The Year's Art

 

Place of Publication: London England

 

Publisher: Macmillan & Co. [later, other publishers]

 

Frequency: Yearly

 

Period of Publication: 1880-1947

 

Period covered by AHR net: 1880 and 1899

 

Type of Publication: Journal

 

Description: Subtitled “A concise epitome of all matters relating to the arts of painting, sculpture, and architecture, which have occurred during the year . . . Together with information respecting the events of the year”, the Year’s Art is an indispensable source of intelligence on late nineteenth and early twentieth century art. Each volume is crammed full of data on the activities of art museums, art schools, and societies, sale rooms, etc. It also includes a directory of artists and art workers with their address and where they exhibited each year; obituary notices; and an annual review of the art world, including art in the USA, Asia, Australia, New Zealand, Canada, South Africa, and elsewhere in Europe.

 

 

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Art Education

 

Design Education

 

Architecture Education

 

Design Societies and Associations

 

Art Societies and Associations

 

Architecture Societies and Associations

 

Architecture

 

Painting

 

Sculpture

 

Decorative and Design

 

Available: 1880, 1889 available now. All volumes from 1880-1925 available soon