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Title: The Acorn
Place of Publication: London, England England
Publisher: The Caradac Press
Frequency: Yearly
Period of Publication: 1905-1906
Type of Publication: Journal
Description: Short-lived Modernist magazine containing an eclectic mix of prose and poetry by W.B. Yeats, A.C. Benson, G.K. Chesterton, Alfred East, A.L. Baldry, Warwick Deeping, Constance Smedley, and others; and illustrations by Frank Brangwyn, Alfred East, Derwent Wood, H.G. Webb, etc See: Imogen Hart. ‘The Arts and Crafts Movement’ The Century Guild Hobby Horse (1884-94), The Evergreen (1895-7), and The Acorn (1905-6) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.120-141 See: Rebecca Beasley. Literature and the Visual Arts: Art and Letters (1917-20) and The Apple (1920-2)) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.485-504 |
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Title: L'Album Les Maitres de la Caricature
Place of Publication: Paris, France France
Publisher: Librairie Illustrée J. Tallandier
Frequency: Monthly
Period of Publication: 1901-1902
Period covered by AHR net: 1901-1902
Type of Publication: Journal
Description: Each issue was devoted to the work of a contemporary caricaturist. These include Caran d’Ache, Steinlen, Hermann Paul, Henry Gerbault, Abel Faivre, Jean-Louis Forain, Lucien Métivet, Albert Guillaume, Ferdinand Bac, Charles Lucien Léandre, Charles Huard, Benjamin Rabier, Jules-Alexandre Grün, etc. Extensively illustrated, mainly in colour |
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Title: The American Art Review
Place of Publication: Boston, Massachusetts [etc.] USA
Publisher: D. Estes and C. E. Lauriat
Frequency: Monthly
Period of Publication: 1879-1881
Period covered by AHR net: Volume 2, 1880-1881
Type of Publication: Journal
Description: The American Art Review was founded and edited by Sylvester Rosa Koehler (1837-1900). Born in Leipzig, Germany, he emigrated with his family to the USA in 1849. He subsequently became Technical Manager of the lithograph publisher Louis Prang and Company, and the first curator of prints at the Museum of Fine Arts in Boston. In his introduction to volume 1 of The American Art Review (1879), Koehler proclaimed that his aim in establishing the journal was to create a periodical that would “occupy a position analogous to that held by the “celebrated” European publications Gazette des Beaux Arts, L’Art’, the Portfolio, and the Zeitschrift für bildende Kunst. Although The American Art Review was to survive for only two years, largely as a result of its lavish production costs, it is generally acknowledged today as a primary catalyst in fostering the art of etching in America. Notable among the artists who were commissioned to produce original etchings for the journal were Otto Bacher, J. M. Falconer Thomas and Peter Moran, Henry Farrer, Samuel Coleman, Anna Lea Merritt, Robert Swain Gifford, Alfred Brennan, James D. Smillie, John Foxcroft Cole, and Marcel Gaugengigl. Significant among the articles published by The American Art Review was were a ‘A History of Wood-Engraving in America’ by W.J. Linton; and ‘American Stained Glass’ by R. Riordan. |
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Title: The Apple
Place of Publication: London England
Publisher: Colour/Morland Press, Ltd.
Frequency: Quarterly
Period of Publication: 1920-1922
Period covered by AHR net: 1920-22
Type of Publication: Journal
Description: Published quarterly as an off-shoot of Colour magazine between January 1920 and April 1922. The magazine is divided into two distinct sections “Art”, which encompasses etchings, woodcuts, pencil drawings, etchings engravings, charcoal drawings, sculpture, lithographs, wash drawings, and aquatints, and "Letters”, which includes literary criticism, topical articles, poetry and short stories. Among the literary contributors are Ezra Pound, Kenneth Hare, Cecil French, Thomas Moult, W. H. Davies, Robert Grave, etc. Wyndham Lewis, Frank Brangwyn, John Nash, Gordon Craig, Steinlen, Randolph Schwabe, Joseph Southall, George Clausen, Paul Nash, Claude Lovat Fraser, Lucian Pissarro, Robert Gibbings, E, Knight Kauffer, Charles Ginner, Ethel Gabain, and others. |
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Title: Art and Letters
Place of Publication: London England
Publisher: Art and Letters
Frequency: Quarterly
Period of Publication: 1917-1920
Period covered by AHR net: Vols I-III, 1917-1920
Type of Publication: Journal
Description: Edited by the art critic Frank Rutter (1876-1937) and the painters Charles Ginner (1878-1952) and Harold Gilman (1876-1919). They had intended to launch the magazine in the autumn of 1914 but publication was delayed by the outbreak of war later that year. It eventually made its appearance in July 1917 and ceased with the Spring 1920 issue. Art and Letters was a quarterly survey of the avant-garde in British art and literature. In addition to Rutter, Ginner and Gilman, contributors included Herbert Read, Osbert, Sacheverell and Edith Sitwell, T.S. Eliot, Ezra Pound, Wyndham Lewis, A.E. Housman, Isaac Rosenberg, Ronald Firbank, Katherine Mansfield, Aldus Huxley. Artists whose work is illustrated included E. McKnight Kauffer, Gaudier-Breszka, Paul Nash, Walter Sickert, Nina Hamnett, Jacob Kramer, Edward Wadsworth, John Nash, and Jacob Epstein. |
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Title: Art in Australia
Place of Publication: Sydney, Australia Australia
Publisher: Sydney Ure Smith, Bertram-Stevens, and C. L. Jones
Frequency: Two issues a year; from 1921 quarterly
Period of Publication: 1916-1940
Period covered by AHR net: Vols 1-3
Type of Publication: Journal
Description: Art in Australia was the first significant art journal to be published in Australia and is now very scarce. We have digitized the first ten years of the journal (1916-1925) in its entirety, including the advertisements. Each issue of the journal has approximately 100-pages, however, it was not paginated. The fact that it is so scarce and is not paginated, probably accounts for the fact that articles from this journal are seldom cited. In digitizing the journal, we have added pagination (assuming the title page to be page 1). As with all the journals digitized by AHR net, we have added biographical information on all the artists whose work is discussed or illustrated in Art in Australia, giving the full name and gender of the artist, together with a supplementary bibliography and Internet links. |
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Title: L'Artista Moderno. Rivista illustrata d'arte applicata
Place of Publication: Turin Italy
Publisher: Società Tipografico-Editrice Nazionale (S.T.E.N.)
Frequency: Twice a month; monthly from January 1920
Period of Publication: 1901-1941
Period covered by AHR net: Volumes III-XXV, 1904-1922
Type of Publication: Journal
Description: Despite its long history, L'Artista Moderno is extremely scarce and little known outside Italy. It is one of the most important sources on contemporary decorative art, particularly the Stile Liberty (Art Nouveau) style, in Italy during the period covered by ReVIEW. It was published bimonthly and contains well-illustrated articles on ceramics, glass, furniture, poster design, graphic art, jewellery metalwork, textiles, interior design and architecture. In its latter years L'Artista Moderno was superseded by more radical Italian arts journals such as Domus. |
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Title: The Artists Monthly
Place of Publication: London England
Publisher: The Artists Monthly
Frequency: Monthly
Period of Publication: 1925-1926
Period covered by AHR net: Vols, 1-2, 1925-1926
Type of Publication: Journal
Description: Primarily a fine art journal, however, also covered music, theatre arts and dance. Contained an eclectic mix of articles seemingly without any focus, including articles on Michelangelo; advertising as a career; Rembrandt as an etcher; making home movies; Hans Holbein the Younger; Van Dyck; Dante Gabriel Rossetti; wood engraving; Antoine Watteau; radio drama as a new art form; folk dancing in England, J.M.W. Turner; and the art critic Walter Pater. |
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Title: Blue Review
Place of Publication: London England
Publisher: Martin Secker
Frequency: Monthly
Period of Publication: 1913
Period covered by AHR net: 1913
Type of Publication: Journal
Description: Short-lived Modernist magazine – only three issues published, May, June, July 1913. Edited by John Middleton Murry; with Katherine Mansfield as associate editor. It was a successor to Rhythm (1911-1913), of which Murry and Mansfield were also editors. Murry conceived The Blue Review as “the Yellow Book of the Modern Movement”, although in truth it doesn’t really stand up to comparison with its Fin de siècle predecessor, or Rhythm for that matter. Includes writings by Mansfield, D.H. Lawrence, Max Beerbohm, Walter de la Mare, James Elroy Flecker, W.H. Davies and Rupert Brooke. Artists whose work is illustrated include X. Marcel Boulstein, Stanley Spencer, G.S. Lightfoot, J.D. Innes, Frances Jennings, Max Berbohm, Ambrose McEvoy, Derwent Lees, Norman Wilkinson, and Harold Squire. |
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Title: The Butterfly
Place of Publication: London, England England
Publisher: W. Haddon
Frequency: Monthly
Period of Publication: 1893-1894, 1900
Type of Publication: Journal
Description: Edited by Leonard Raven-Hill and Arnold Golsworthy. “there was from the outset a delightful feeling of irresponsibility about the conduct of The Butterfly. One feels that the editors, who were also the proprietors, printed what they themselves appreciate, without having to keep a nervous eye on a soulless dividend-seeking board of directors” [Thorpe]. Raven-Hill provided many of the illustrations, including no less than 23 drawings for the first issue. Other artists who contributed illustrations to The Butterfly included Maurice Greiffenhagen, Oscar Eckhardt, Edgar Wilson, Paul Renouard, J.F. Sullivan and Adolph Birkenruth. The title was revived in 1899 but closed again after only a few issues. See: James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.170-174 |
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Title: The Century Guild Hobby Horse
Place of Publication: London, England England
Publisher: Chiswick Press, etc.
Frequency: Quarterly
Period of Publication: 1884-1892
Type of Publication: Journal
Description: The official journal of the Century Guild of Artists. Founded by the architect and designer Arthur Heygate Mackmurdo (1851-1942), the Guild was one of the earliest Arts and Crafts groups in Britain. The magazine contained essays on art, literature, and occasionally architecture and music. The principle contributors included Mackmurdo, Selwyn Image (the author of numerous articles), Arthur Galton, May Morris, Herbert P. Horne, Christina Rossetti, and Hubert Parry. The Hobby Horse was much admired by William Morris. By fusing art and literature in a magazine whose layout and design was a conscious aesthetic statement, it was precursor of pioneering Modernist magazines such as The Savoy, The Yellow Book and The Dome. See: Imogen Hart. ‘The Arts and Crafts Movement’ The Century Guild Hobby Horse (1884-94), The Evergreen (1895-7), and The Acorn (1905-6) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.120-141 |
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Title: Colour
Place of Publication: London England
Publisher: Colour Magazine
Frequency: Monthly
Period of Publication: 1914-1932
Period covered by AHR net: Volumes 1-19
Type of Publication: Journal
Description: Colour contained an eclectic mixture of short stories, poetry, and articles about art. What makes it particularly interesting is its numerous reproductions (mainly in colour) of work by contemporary British painters, particularly by members of the Camden Town Group and the London Group, such as Robert Bevan, Walter Sickert, Harold Gilman and Charles Ginner. It also includes many examples of work by First World War artists. The digitization will include all the advertisements that accompany the magazine. |
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Title: Coterie
Place of Publication: London England
Publisher: Hendersons
Frequency: Quarterly
Period of Publication: 1919-1921
Period covered by AHR net: 1919-1921
Type of Publication: Journal
Description: Coterie was one of a number of short-lived literary and artistic magazines published during or immediately after World War One. Few of them survived for more than a few issues and Coterie was no exception, running for only 7 issues, including a double number (May 1919-Winter 1920/21). It was edited by Charman Lall (nos 1-5) and by Russell Green (nos.6/7). During its brief history, Coterie succeeded in attracting contributions from writers who were in the vanguard of the Modernist movement in Britain including T.S. Eliot, Aldus Huxley, Edith, Osbert and Sacheverell Sitwell, Herbert Read and Edmund Blunden. Artists illustrated in Coterie included Adrian Paul Allinson (who designed the cover of no.2), Walter Sickert, William Rothenstein, William Roberts (who designed the cover of no.3), Modigliani, Edward Wadsworth, John Flanagan, John Turnbull, David Bomberg (who designed the cover of no.4), Ossip Zadkine. André Derain, Mary Stella Edwards (who designed the cover of no.5), Alexander Archipenko, René Durey, and Nina Hamnett (who designed the cover of nos.6/7 and was on the Editorial Committee of Coterie). |
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Title: Drawing and Design
Place of Publication: London England
Publisher: Proprietors of Drawing & Design, new series
Frequency: Monthly
Period of Publication: 1920-1926
Period covered by AHR net: 1920-1926
Type of Publication: Journal
Description: Contains articles on contemporary drawing, etching, engraving, watercolour art and illustration. Focuses primarily on the work of British artists and artists working in Britain including F. Gregory Brown, Charles Shannon, , Tom Purvis, Bert Thomas, Gwen Raverat, Laura Knight, Fred Taylor, Robert Anning Bell, William Orpen, Haldane Macfall, E. McKnight Kauffer, G.M. Ellwood, Frank Brangwyn, Phoebe Stabler, Eric Kennington, Rex Vicat Cole, Hesketh Hubbard, William Rothenstein, Maxfield Armfield, Lucien Pissaro, Tom Mostyn, Laude Shepperson, Ethel Gabain, etc. |
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Title: The Fleuron
Place of Publication: London, England England
Publisher: The Fleuron
Frequency: Annual
Period of Publication: 1923-1930
Type of Publication: Journal
Description: Generally considered one of the most important British periodicals devoted to typography. Edited by the influential typographic consultants Oliver Simon and Stanley Morison, The Fleuron was the journal of the Fleuron Society, founded by Simon, Morison, Holbrook Jackson and Bernard Newdigate in London 1922. The journal soon achieved an international reputation for the quality of its articles, with contributions from many of the leading typographers, designers, and graphic artists. It contained articles on W.A. Dwiggins, Bruce Rogers, Claude Garamond, Eric Gill, Rudolf Koch, Karl Klingspor , 'The Typography of the 'Nineties', ‘On decorative printing in America’ , ‘Mr. C.H. St. John Hornby's Ashendene Press’. etc. See: Grant Shipcott. Typographical Periodicals Between the Wars: A Critique of The Fleuron, Signature and Typography. Oxford, England: Oxford Polytechnic Press, 1980 |
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Title: Il Giovane Artista Moderno
Place of Publication: Turin Italy
Publisher: E. Cordier Editore
Frequency: Fortnightly
Period of Publication: 1902-1903
Period covered by AHR net: 1902-1903
Type of Publication: Journal
Description: Rare and fragile magazine. Each issue consists of 12 loose-leaf pages containing an introduction followed by numerous examples of contemporary Italian decorative and applied art, e.g. ceramics, glass, jewelry, art metalwork, furniture, posters, advertising graphics, illustration, etc. The magazine was heavily influenced by the prevailing Stile (Art Nouveau) style and was probably launched to coincide with the Esposizione Internazionale d'Arte Decorativa Moderna (International Exposition of Modern Decorative Arts) held in Turin in 1902. Il Giovane Artista Moderna was succeeded by L'Artista Moderno. Rivista illustrata d'arte applicata (1904-1941). Although initially also issued fortnightly and continuing the volume sequence of Il Giovane Artista Moderna, L'Artista Moderno. Rivista illustrata d'arte was more conventional in its format. |
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Title: L'image
Place of Publication: Paris France
Publisher: A. Floury, Éditeur
Frequency: Monthly
Period of Publication: 1896-1897
Period covered by AHR net: Numbers 1-12, 1896-97
Type of Publication: Journal
Description: L’Image, subtitled Revue Mensuelle Artistic et Litteraire and as Revue Mensuelle Litteraire et Artistic, was published monthly in Paris between December 1896 and December 1897 by Henri Floury on behalf of the Corporation Française des Graveurs sur Bois. The editor was the engraver Tony Beltrand, who also provided art direction in collaboration with Léon Ruffe and Auguste Lepère The aim of L’Image was to promote and encourage the art of wood engraving. It featured original work by many of the leading engravers, illustrators, graphic artists and painters then active in France including Jules Chéret, Eugène Carrière, Fantin-Latour, Victor Prouvé, Henri Bellery-Desfontaines, Puvis de Chavannes, Jean Émile Laboureur, Alphonse Mucha, Maurice Denis, Eugène Froment, Léon Perrichon, Georges de Feure, Auguste Rodin, Kees van Dongen, Edgar Degas, Frédéric Florian, Georges Jeanniot, Clément Bellenger, Eugène Carrière, Lucien Pissarro, Jacques Beltrand, Adolphe Hervier, Eugène Dété, Paul César Helleu, Théodule Ribot Félix Vallotton, Albert Besnard, Félix Bracquemond, Daniel Vierge, Louis Dunki, Henri Rivière, Jean Veber. Eugène Béjot, Jean Jacques Drogue, Georges D'Espagnat and Armand Seguin. Among artists who were commissioned to design covers for L’Image were Alphonse Mucha, Toulouse-Lautrec, Henri Bellery-Desfontaines, Victor Prouvé, Paul Berthon, Georges de Feure, and Marcel Lenoir. |
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Title: The New Coterie
Place of Publication: London England
Publisher: E. Archer
Frequency: Quarterly
Period of Publication: 1925-1927
Period covered by AHR net: 1925-1926
Type of Publication: Journal
Description: The New Coterie was the successor of Coterie (1919-1921) and was identical in its format, and similar in its contents. It consisted of six issues published between November 1925 and summer 1927. It is unclear who the editor was. It is thought that it may have been Russell Green who edited the last issue of Coterie. The front cover of each issue of The New Coterie was designed by William Roberts. Other artists whose work is reproduced in The New Coterie included Augustus John, William Rothenstein, Jean de Bosschère, Pearl Binder, Jacob Kramer, Karel Capek, Richard Wyndham, Nina Hamnett, Sidney Hunt, Bernard Meninsky, T.F. Powys, Frank Dobson, Eric Kennington, Cecil Salkeld, Stanley Spencer, and George William Bissill. Literary contributors included Nancy Cunard, Aldus Huxley, T.F. Powys, Rhys Davies, Liam O’Flaherty, D.H. Lawrence, Louis Golding, Karel Capek, and H.E. Bates. |
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Title: The Pageant
Place of Publication: London, England England
Publisher: Henry & Company
Frequency: Annual
Period of Publication: 1896-1897
Type of Publication: Journal
Description: Edited by C. Hazlewood Shannon and J.W. Gleeson White. Short-lived fin-de-siècle art and literary journal. Includes literary contributions by Charles Ricketts (who designed the cover of the journal), Lucien Pissarro, by Austin Dobson, Michael Field, Edmund Gosse, Victor Plarr, John Gray, Max Beerbohm and Selwyn Image. Artists whose work is illustrated include Dante Gabriel Rossetti, Laurence Housman, Charles Conder, Reginald Savage, Walter Crane, Gustave Moreau, Charles H. Shannon, Puvis de Chavannes, Edward Burne Jones, William Strang, Will Rothenstein, Giulio Campagnola, G.F. Watts etc. See: David Peters Corbett. Symbolism in British ‘Little Magazines’: The Dial (1889-97), The Pageant (1896-7), and The Dome (1897-1900 in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880- 1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.11-119 James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.200-201 |
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Title: The Palette
Place of Publication: Glasgow, Scotland Scotland
Publisher: Glasgow School of Art
Frequency: Annual
Period of Publication: 1919-1922
Type of Publication: Journal
Description: Contains prose, poetry and artwork by past and present students and staff and GSA. This issue also includes an article on poster design by E. McKnight Kauffer. The cover was designed by Norman Gorell. |
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Title: The Quartier Latin
Place of Publication: Paris France
Publisher: The American Art Association of Paris
Frequency: Monthly
Period of Publication: 1896-1899
Period covered by AHR net: Volumes I-VI
Type of Publication: Journal
Description: Published by the American Art Association of Paris. Written and illustrated by mainly young American and British writers and artists, mostly living in Paris at the time. Contributors include J. B. Yeats, G. O. Onions, Charles Pears, James Guthrie, Granville Fell, Gilbert James, Henry O. Tanner, F. Luis Mora, Ernest Seton Thompson, Philip Connard, Garth Jones, Dion Calthorp, Sandor Landeau, Leah Anson, Witos Tod, Kate Adair, Grace Gallatin, Ethelyn Friend, Lamar Middleton, Anna Gannon. Also includes contributions by J.K. Huysmans. |
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Title: The Quarto
Place of Publication: London, England England
Publisher: J. S. Virtue
Frequency: Annual
Period of Publication: 1896-1898
Type of Publication: Journal
Description: This was an annual (although two numbers were published in 1896). Edited by J. Bernard Holborn. Literary contributors included Gleeson White, G.K. Chesterton, Evelyn Sharp, Joseph Pennell, Edward F Strange, Netta Syrett, Percy Hemingway and Philip Treherne. Illustrated with work by Henry Tonks, Robert Hilton, G. F. Watts, Joseph Pennell, Alice B. Woodward, Thomas Cowper Gotch, D. Y. Cameron, A.E. Housman, Edward Burne-Jones, Augustus John, Paul Woodruffe, Walter Crane, A.J. Gaskin, George Clausen, etc. See: David Peters Corbett. Symbolism in British ‘Little Magazines’: The Dial (1889-97), The Pageant (1896-7), and The Dome (1897-1900 in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.111-119 James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.201-202 |
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Title: Rhythm
Place of Publication: London England
Publisher: St Catherine Press/Stephen Swift & Company/Martin Secker
Frequency: Nos.1-4, quarterly; thereafter monthly.
Period of Publication: 1911-1913
Period covered by AHR net: Vols 1-2, 1911-1913
Type of Publication: Journal
Description: The magazine was conceived and edited by John Middleton Murry and Michael T.H. Sadler. Katherine Mansfield later joined as assistant editor and by the fifth issue John Duncan Fergusson (who designed the cover) was named as art editor. Literary contributors included Murry, Mansfield, Sadler, Holbrook Jackson, Frank Harris, Haldane MacFall, and Rupert Brooke. Artists whos work is illustrated include J.D. Fergusson, Pablo Picasso, Jessie Dismore, Anne Estelle Rice, S,j. Peploe, Augustus John, André Derain, Margaret Thompson. Albert Marquet, André Denoyer de Segonzac, Henri Gaudier- Breszka, Jack B. Yeats, William Orpen, Horace Brodzky, Nathalia Goncharova, Albert Rothenstein and Mikhail Larionov |
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Title: The Savoy
Place of Publication: London, England England
Publisher: Leonard Smithers
Frequency: Journal
Period of Publication: 1896
Type of Publication: Journal
Description: 8 issues published. Nos.1-2 subtitled “An illustrated Quarterly”; nos.3-8 subtitled “An Illustrated Monthly”. Edited by Arthur Symons. The Savoy was launched as a competitor to The Yellow Book and in content and philosophy it was very similar, with overtones of the decadent and the avant-garde. Indeed many of the contributors also wrote for The Yellow Book. These included W.B. Yeats, George Bernard Shaw, Joseph Conrad, Arthur Symons, Havelock Ellis, Ernest Dowson, Edmond Gosse, George Moore and Edward Carpenter. Illustrators of The Savoy included Audrey Beardsley (who designed the front covers), Max Beerbohm, William Rothenstein, Phil May, J. McNeil Whistler, Charles Shannon, Charles Conder, Walter Sickert, and Joseph Pennell. See: Laurel Brake. Aestheticism and Decadence: The Yellow Book (1894-7), The Chemeleon (1894), and The Savoy (1896) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.76-100 James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.191-192. |
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Title: The Venture
Place of Publication: London, England England
Publisher: John Baillie/Pear Tree Press
Frequency: Bi-Yearly
Period of Publication: 1903, 1905
Type of Publication: Journal
Description: Only two volumes published. The 1903 volume was edited by Laurence Housman and W. Somerset Maugham. Maugham appears not to be involved in editing the 1905 volume. The 1903 volume contains Maugham’s first play, ‘Marriages are Made in Heaven’, along with contributions from G.K. Chesterton (first publication of 'The Philosophy of Islands'), Alice Meynell, Thomas Hardy (first publication of 'The Market- Girl'), A.E. Housman (first publication of 'The Oracles', Laurence Housman (‘Proverbial Romances’) John Masefield, Laurence Binyon, etc. The volume is illustrated with woodcuts by Charles Hazlewood Shannon, Charles Ricketts, T. Sturge Moore, Lucien Pissarro, E. Gordon Craig, Paul Woodroffe, and Laurence Housman (who also designed the front cover). The 1905 volume is particularly significant in containing the first appearance in book form of a work by James Joyce (‘Two Songs’). Other literary contributors included W. Somerset Maugham, Arthur Symons, T. Sturge Moore, G. K. Chesterton, and Thomas Hardy. Artists included are Charles Ricketts, Lucien Pissarro, E. Gordon Craig, J. Singer Sargent, J. M. Whistler, Frank Brangwyn, Augustus John, and Arthur Rackham. See: Laurel Brake. Aestheticism and Decadence: The Yellow Book (1894-7), The Chameleon (1894), and The Savoy (1896) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.76-100 |
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Title: The Windmill
Place of Publication: London England
Publisher: Messrs. Simpkin, Marshall, Hamilton, Kent, & Co. Ltd. / The New Century Press, Limited
Frequency: Quarterly
Period of Publication: 1898-1899
Period covered by AHR net: Vols 1-2
Type of Publication: Journal
Description: Only two volumes published. Volume 1, no.1, October 1898 - Volume 2, no.6, January-March 1900. Little known, short-lived, fin-de-siècle literary and art magazine. The editor is not given. Literary contributors included Laurence Housman, Gleeson White, Graily Hewitt, Dolf Wyllarde, Olive Custance, Edith Robarts, etc. Artists include Starr Wood (who designed the front cover of all issues), Laurence Housman, Jessie Bayes, Paul Woodroffe, C.H.B. Quennell, J.J. Guthrie, Alan Wright, T.H. Robinson, etc. |
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Title: The Yearbook of Japanese Art
Place of Publication: Tokyo, Japan Japan
Publisher: National Committee on Intellectual Cooperation of the League of Nations Association of Japan
Frequency: Annual
Period of Publication: 1927-1932
Type of Publication: Journal
Description: Annual survey [in English] of contemporary Japanese art. Each volume contains details of recent acquisitions by art museums; reports on recent exhibitions, including those held by the Imperial Fine Arts Academy Exhibition, the Institute of Japanese Art, and the Nikakai Society; news on the activities of the principal schools and institutes of fine art in Japan; profiles of art organizations in Japan; reports on recent auction sales of works of art; a directory [biographies] of contemporary Japanese artists and art workers; illustrations of recent work by contemporary Japanese artists; and a bibliography. The Year Book of Japanese Art is an invaluable source of reference on Japanese art during the years it was published. |
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Title: The Yellow Book
Place of Publication: London; Boston, Massachusetts England; USA
Publisher: E. Mathews & J. Lane; Copeland & Day
Frequency: Quarterly
Period of Publication: 1894-1897
Period covered by AHR net: Volumes 1-13, 1894-1897
Type of Publication: Journal
Description: In their prospectus to Volume 1 (April 1894), the publishers and editors of The Yellow Book wrote that is was their aim to “depart as far as may be possible from the bad old traditions of periodical literature, and to provide an Illustrated Magazine which will be as beautiful as a piece of book-making, modern and distinguished in its letter-press and its pictures, and withal popular in the better sense of the world." The Yellow Book captured the zeitgeist of the 1890s and, despite its short life, was highly influential both in Britain and abroad. Artists who contributed to the magazine included Aubrey Beardsley [who designed the cover of the first issue], Philip Wilson Steer, Walter Sickert, John Singer Sargent, Walter Crane, Charles Conder and William Rothenstein. Notable among literary figures that wrote for The Yellow Book were Henry James, H.G. Wells, Arnold Bennett, W.B. Yates, Edmund Gosse and George Gissing. |
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Available: Now
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