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Title: The Acorn
Place of Publication: London, England England
Publisher: The Caradac Press
Frequency: Yearly
Period of Publication: 1905-1906
Type of Publication: Journal
Description: Short-lived Modernist magazine containing an eclectic mix of prose and poetry by W.B. Yeats, A.C. Benson, G.K. Chesterton, Alfred East, A.L. Baldry, Warwick Deeping, Constance Smedley, and others; and illustrations by Frank Brangwyn, Alfred East, Derwent Wood, H.G. Webb, etc See: Imogen Hart. ‘The Arts and Crafts Movement’ The Century Guild Hobby Horse (1884-94), The Evergreen (1895-7), and The Acorn (1905-6) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.120-141 See: Rebecca Beasley. Literature and the Visual Arts: Art and Letters (1917-20) and The Apple (1920-2)) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.485-504 |
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Title: L'Album Les Maitres de la Caricature
Place of Publication: Paris, France France
Publisher: Librairie Illustrée J. Tallandier
Frequency: Monthly
Period of Publication: 1901-1902
Period covered by AHR net: 1901-1902
Type of Publication: Journal
Description: Each issue was devoted to the work of a contemporary caricaturist. These include Caran d’Ache, Steinlen, Hermann Paul, Henry Gerbault, Abel Faivre, Jean-Louis Forain, Lucien Métivet, Albert Guillaume, Ferdinand Bac, Charles Lucien Léandre, Charles Huard, Benjamin Rabier, Jules-Alexandre Grün, etc. Extensively illustrated, mainly in colour |
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Title: The American Art Review
Place of Publication: Boston, Massachusetts [etc.] USA
Publisher: D. Estes and C. E. Lauriat
Frequency: Monthly
Period of Publication: 1879-1881
Period covered by AHR net: Volume 2, 1880-1881
Type of Publication: Journal
Description: The American Art Review was founded and edited by Sylvester Rosa Koehler (1837-1900). Born in Leipzig, Germany, he emigrated with his family to the USA in 1849. He subsequently became Technical Manager of the lithograph publisher Louis Prang and Company, and the first curator of prints at the Museum of Fine Arts in Boston. In his introduction to volume 1 of The American Art Review (1879), Koehler proclaimed that his aim in establishing the journal was to create a periodical that would “occupy a position analogous to that held by the “celebrated” European publications Gazette des Beaux Arts, L’Art’, the Portfolio, and the Zeitschrift für bildende Kunst. Although The American Art Review was to survive for only two years, largely as a result of its lavish production costs, it is generally acknowledged today as a primary catalyst in fostering the art of etching in America. Notable among the artists who were commissioned to produce original etchings for the journal were Otto Bacher, J. M. Falconer Thomas and Peter Moran, Henry Farrer, Samuel Coleman, Anna Lea Merritt, Robert Swain Gifford, Alfred Brennan, James D. Smillie, John Foxcroft Cole, and Marcel Gaugengigl. Significant among the articles published by The American Art Review was were a ‘A History of Wood-Engraving in America’ by W.J. Linton; and ‘American Stained Glass’ by R. Riordan. |
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Title: The Apple
Place of Publication: London England
Publisher: Colour/Morland Press, Ltd.
Frequency: Quarterly
Period of Publication: 1920-1922
Period covered by AHR net: 1920-22
Type of Publication: Journal
Description: Published quarterly as an off-shoot of Colour magazine between January 1920 and April 1922. The magazine is divided into two distinct sections “Art”, which encompasses etchings, woodcuts, pencil drawings, etchings engravings, charcoal drawings, sculpture, lithographs, wash drawings, and aquatints, and "Letters”, which includes literary criticism, topical articles, poetry and short stories. Among the literary contributors are Ezra Pound, Kenneth Hare, Cecil French, Thomas Moult, W. H. Davies, Robert Grave, etc. Wyndham Lewis, Frank Brangwyn, John Nash, Gordon Craig, Steinlen, Randolph Schwabe, Joseph Southall, George Clausen, Paul Nash, Claude Lovat Fraser, Lucian Pissarro, Robert Gibbings, E, Knight Kauffer, Charles Ginner, Ethel Gabain, and others. |
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Title: Art and Letters
Place of Publication: London England
Publisher: Art and Letters
Frequency: Quarterly
Period of Publication: 1917-1920
Period covered by AHR net: Vols I-III, 1917-1920
Type of Publication: Journal
Description: Edited by the art critic Frank Rutter (1876-1937) and the painters Charles Ginner (1878-1952) and Harold Gilman (1876-1919). They had intended to launch the magazine in the autumn of 1914 but publication was delayed by the outbreak of war later that year. It eventually made its appearance in July 1917 and ceased with the Spring 1920 issue. Art and Letters was a quarterly survey of the avant-garde in British art and literature. In addition to Rutter, Ginner and Gilman, contributors included Herbert Read, Osbert, Sacheverell and Edith Sitwell, T.S. Eliot, Ezra Pound, Wyndham Lewis, A.E. Housman, Isaac Rosenberg, Ronald Firbank, Katherine Mansfield, Aldus Huxley. Artists whose work is illustrated included E. McKnight Kauffer, Gaudier-Breszka, Paul Nash, Walter Sickert, Nina Hamnett, Jacob Kramer, Edward Wadsworth, John Nash, and Jacob Epstein. |
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Title: The Art Review
Place of Publication: Glasgow, Scotland Scotland
Publisher: Walter Scott
Frequency: Monthly
Period of Publication: 1890
Period covered by AHR net: Vol 1, 1890
Type of Publication: Journal
Description: Short-lived art journal - only seven issues were published (January-July 1890). It was the successor of The Scottish Art Review (1888-1890). Like it’s predecessor it contained a wide-ranging mix of articles including a report on the Rembrandt exhibition at Burlington House, London in 1890; and articles on the London Impressionists; The Teaching of Drawing in Parisian Municipal Schools; Thoreau’s Poetry; Heine on Music; Auguste Rodin; Marie Bashkirtseff; Alfred East; Alfred Roll; and G.F. Watts. Also contains art news, and book and exhibition reviews. Contributors included Walter Savage Landor, Lawrence Housman, Arthur Symons, Edward Carpenter, and Gleeson White. |
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Title: Art Review A Survey of British Art In All Its Branches 1934
Place of Publication: London
Publisher: Artist Publishing Co.
Period of Publication: 1934
Type of Publication: Journal
Description: Although ostensibly a survey of all aspects of British art, the primary focus of Art Review was on the visual arts - painting, poster design, magazine illustration, book jacket design and humorous art. It also included an annual report on the latest developments in theatre set and costume design. |
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Title: Art Review A Survey of British Art In All Its Branches 1935
Place of Publication: London
Publisher: Artist Publishing Co.
Period of Publication: 1935
Type of Publication: Journal
Description: Although ostensibly a survey of all aspects of British art, the primary focus of Art Review was on the visual arts - painting, poster design, magazine illustration, book jacket design and humorous art. It also included an annual report on the latest developments in theatre set and costume design. |
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Title: Art Review A Survey of British Art In All Its Branches 1937
Place of Publication: London
Publisher: Artist Publishing Co.
Period of Publication: 1937
Type of Publication: Journal
Description: Although ostensibly a survey of all aspects of British art, the primary focus of Art Review was on the visual arts - painting, poster design, magazine illustration, book jacket design and humorous art. It also included an annual report on the latest developments in theatre set and costume design. |
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Title: Art Review A Survey of British Art In All Its Branches 1938
Place of Publication: London
Publisher: Artist Publishing Co.
Period of Publication: 1938
Type of Publication: Journal
Description: Although ostensibly a survey of all aspects of British art, the primary focus of Art Review was on the visual arts - painting, poster design, magazine illustration, book jacket design and humorous art. It also included an annual report on the latest developments in theatre set and costume design. |
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Title: Art Workers' Quarterly
Place of Publication: London England
Publisher: Chapman & Hall
Frequency: Quareterly
Period of Publication: 1902-1906
Period covered by AHR net: Volumes 1-5, 1902-1906, plus two special issues, 1908
Type of Publication: Journal
Description: The Art Workers' Quarterly, subtitled, A Portfolio of Practical Designs for Decorative and Applied Arts, was published in five volumes by Chapman & Hall, London, between 1902 and 1906. The editor was W.G. Paulson Townsend, the author of several books and articles on the decorative arts. In his foreword to volume 1, no. 1, he wrote that the object of The Art Workers' Quarterly, was provide a source of inspiration for art workers and “to supply designs in a readily applicable form to those who do not invent, plan, or adapt ornament, and who find difficulty in obtaining good and suitable suggestions for their work. Further, it is his aim to assist those who may have some knowledge of the principles on which ornamental design is constructed, by publishing specimens of good work from the best historical and contemporary examples”. Like The Craftsman, launched the previous year in the USA, William Morris was the subject of the first article in The Art Workers’ Quarterly. Subsequent articles reported on the work and activities of the leading art schools including the Royal Academy Schools, Royal School of Art Needlework, the Royal College of Art, Central School of Arts and Crafts, Camberwell School of Arts and Crafts, and Keswick School of Industrial Arts, and the principle craft organizations, guilds and societies such as the Church Crafts League, the Home Arts and Industries Association, the Dress Designers Exhibition Society, the Clarion Guild of Handicrafts, and the Arts and Crafts Exhibition Society. There were also articles on Lace Making in Ireland; the British Section at the St. Louis Exposition of 1904; the Impact of Modern Social and Economic Conditions on the Decorative Arts; the architecture of Letchworth Garden City, etc. These were interspersed with practical, well-illustrated articles on wood block printing, mural decoration, ornamental lettering, metalwork, embroidery, weaving, furniture, ceramics, stained glass, bookbinding, etc. Townsend was successful in attracting many of the leading commentators on the decorative arts to write pieces for The Art Workers’ Quarterly, including May Morris, Walter Crane, J. Illingworth Kay, Alexander Fisher, Lawrence Weaver, Bernard Rackham, Silvester Sparrow, Alfred Stevens, A. Romney Green, and James Guthrie. Among artists and designers whose work featured in The Art Workers’ Quarterly were some of the major figures in the English Arts and Crafts movement including Ambrose Heal Jr., Walter Crane, C.F.A. Voysey, Alexander Fisher, May Morris, R.A. Dawson. W.J. Neatby, Harold Stabler, Allan Vigers, W. Curtis Green, A. Romney Green. Heywood Sumner, Charles E. Dawson, Edward Spencer, Bernard Cuzner, Arthur Gaskin, Charles Spooner, C.R. Ashbee, Paul Woodroffe, Ernest Gimson, Mary Seton Fraser Tytler (Mrs G.F. Watts), Ernestine Mills and Sidney Barnsley An additional two special issues of The Art Workers’ Quarterly were published in August and December 1908. These contained the papers and extracts of papers read at the Third International Art Congress for the development of Drawing and Art Teaching and the Application to Industries held in London, August, 1908, as well as a record of the Retrospective Exhibition of Students’ Works, held at the Victoria & Albert Museum, London, in connection with the Congress. Together with volumes 1-5 of The Art Workers’ Quarterly, these have also been digitized for ReVIEW. |
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Title: Artistic Japan
Place of Publication: London England
Publisher: Sampson Low, Marston, Searle & Rivington
Frequency: Monthly
Period of Publication: 1888-1891
Period covered by AHR net: Volumes 1-6, 1888-1890
Type of Publication: Journal
Description: Founded and compiled by the German art dealer S. (Siegfied) Bing (1838-1905) Artistic Japan was published simultaneously in English, German [Japanischer Formenschatz] and French [Le Japon Artistique]. Bing’s declared aim in producing the journal was to “stimuler l’intérêt des amateurs”and “exercer une influence sur le goût, la culture, l’art et la constitution des collections publiques et privées” (stimulate the interest of amateurs and to influence the taste, culture, art and formation of public and private collections) in the art of Japan. One of the publication’s chief sponsors was the fashionable London retail firm Liberty & Co. who had a full-page colour advertisement for their art fabrics on the back page of every issue of the English edition. The journal contains a series of illustrated essays on architecture, engraving, Hokusai’s “Man-gwa”, the decoration of swords, Ritsuo and his School, netsukés and okimonos, the theatre in Japan, Hiroshigé, the poetic tradition in Japanese art, Animals in Japanese art, and Korin. Among contributors to Artistic Japan were Edmond de Goncourt, Roger Marx, Victor Champier, and Eugène Guillaume. The editor of the English edition was Marcus B. Huish (1843-1921). |
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Title: Artists in Advertising & Their Work
Place of Publication: London
Publisher: Advertising Display and Press Publicity
Period of Publication: 1935-1936
Type of Publication: Journal
Description: Published irregularly. Each issue contains examples of work by contemporary British commercial artists and studios. Artists whose work is featured in these issues include Philip Zec, Norman Hepple, Mabel Lucie Attwell, Will Owen, Lawson Wood, G.E. Studdy and Greta Baun. |
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Title: The Artists Monthly
Place of Publication: London England
Publisher: The Artists Monthly
Frequency: Monthly
Period of Publication: 1925-1926
Period covered by AHR net: Vols, 1-2, 1925-1926
Type of Publication: Journal
Description: Primarily a fine art journal, however, also covered music, theatre arts and dance. Contained an eclectic mix of articles seemingly without any focus, including articles on Michelangelo; advertising as a career; Rembrandt as an etcher; making home movies; Hans Holbein the Younger; Van Dyck; Dante Gabriel Rossetti; wood engraving; Antoine Watteau; radio drama as a new art form; folk dancing in England, J.M.W. Turner; and the art critic Walter Pater. |
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Title: Arts & Crafts
Place of Publication: London England
Publisher: Hutchinson & Co.
Frequency: Monthly
Period of Publication: 1904-1906
Period covered by AHR net: 1904-1906
Type of Publication: Journal
Description: Intended for both the professional and the amateur craftsperson, Arts & Crafts is an important source on the middle period of the Arts and Crafts movement in England. In addition to practical articles on craftmaking, particularly jewellery, bookbinding, furniture, metalwork and embroidery, it included articles on the work of some of the leading names in the Arts and Crafts movement, such as M.H. Baillie Scott, and Walter Crane. It also contained book reviews and reports on exhibitions of the Arts and Crafts Exhibition Society, the Paris Salon, the Royal Academy, etc. |
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Title: Arts and Decoration
Place of Publication:
Publisher: Adam Budge Inc.
Period of Publication: 1912
Type of Publication: Journal
Description: Arts and Decoration published its first issue in 1910. It absorbed Art World in 1918 (and was known briefly as "The Art World and Arts and Decoration", before reverting to "Arts and Decoration" in 1919. No issue or contribution copyright renewals were found for this serial. It ceased publication in 1942. The journal contained articles on contemporary American fine, decorative and applied arts; art news; and exhibition and book reviews |
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Interior Design and Decoration
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Title: Blue Review
Place of Publication: London England
Publisher: Martin Secker
Frequency: Monthly
Period of Publication: 1913
Period covered by AHR net: 1913
Type of Publication: Journal
Description: Short-lived Modernist magazine – only three issues published, May, June, July 1913. Edited by John Middleton Murry; with Katherine Mansfield as associate editor. It was a successor to Rhythm (1911-1913), of which Murry and Mansfield were also editors. Murry conceived The Blue Review as “the Yellow Book of the Modern Movement”, although in truth it doesn’t really stand up to comparison with its Fin de siècle predecessor, or Rhythm for that matter. Includes writings by Mansfield, D.H. Lawrence, Max Beerbohm, Walter de la Mare, James Elroy Flecker, W.H. Davies and Rupert Brooke. Artists whose work is illustrated include X. Marcel Boulstein, Stanley Spencer, G.S. Lightfoot, J.D. Innes, Frances Jennings, Max Berbohm, Ambrose McEvoy, Derwent Lees, Norman Wilkinson, and Harold Squire. |
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Title: Brush & Pencil
Place of Publication: Chicago, Illinois USA
Publisher: The Arts and Crafts Publishing Company / The Brush and Pencil Publishing Company
Frequency: Monthly
Period of Publication: 1897-1907
Period covered by AHR net: Volumes I-IXX, 1897-1907
Type of Publication: Journal
Description: Brush and Pencil was the official journal of the Brush and Pencil Club in Chicago. It was a well-illustrated review of contemporary American painting and sculpture, with occasional articles on the decorative and applied arts and work by foreign artists. It also contained a monthly round-up of art news, together with book reviews and exhibition reports. The first editor of Brush and Pencil was Charles Francis Browne (1859-1920), an instructor at the Art Institute of Chicago and one of the founders of the Club. He was succeeded by Frederick William Morton (1859-1935) who remained its editor until the closure of the magazine in June 1907. |
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Title: The Butterfly
Place of Publication: London, England England
Publisher: W. Haddon
Frequency: Monthly
Period of Publication: 1893-1894, 1900
Type of Publication: Journal
Description: Edited by Leonard Raven-Hill and Arnold Golsworthy. “there was from the outset a delightful feeling of irresponsibility about the conduct of The Butterfly. One feels that the editors, who were also the proprietors, printed what they themselves appreciate, without having to keep a nervous eye on a soulless dividend-seeking board of directors” [Thorpe]. Raven-Hill provided many of the illustrations, including no less than 23 drawings for the first issue. Other artists who contributed illustrations to The Butterfly included Maurice Greiffenhagen, Oscar Eckhardt, Edgar Wilson, Paul Renouard, J.F. Sullivan and Adolph Birkenruth. The title was revived in 1899 but closed again after only a few issues. See: James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.170-174 |
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Title: The Century Guild Hobby Horse
Place of Publication: London, England England
Publisher: Chiswick Press, etc.
Frequency: Quarterly
Period of Publication: 1884-1892
Type of Publication: Journal
Description: The official journal of the Century Guild of Artists. Founded by the architect and designer Arthur Heygate Mackmurdo (1851-1942), the Guild was one of the earliest Arts and Crafts groups in Britain. The magazine contained essays on art, literature, and occasionally architecture and music. The principle contributors included Mackmurdo, Selwyn Image (the author of numerous articles), Arthur Galton, May Morris, Herbert P. Horne, Christina Rossetti, and Hubert Parry. The Hobby Horse was much admired by William Morris. By fusing art and literature in a magazine whose layout and design was a conscious aesthetic statement, it was precursor of pioneering Modernist magazines such as The Savoy, The Yellow Book and The Dome. See: Imogen Hart. ‘The Arts and Crafts Movement’ The Century Guild Hobby Horse (1884-94), The Evergreen (1895-7), and The Acorn (1905-6) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.120-141 |
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Title: Colour
Place of Publication: London England
Publisher: Colour Magazine
Frequency: Monthly
Period of Publication: 1914-1932
Period covered by AHR net: Volumes 1-19
Type of Publication: Journal
Description: Colour contained an eclectic mixture of short stories, poetry, and articles about art. What makes it particularly interesting is its numerous reproductions (mainly in colour) of work by contemporary British painters, particularly by members of the Camden Town Group and the London Group, such as Robert Bevan, Walter Sickert, Harold Gilman and Charles Ginner. It also includes many examples of work by First World War artists. The digitization will include all the advertisements that accompany the magazine. |
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Title: Commercial Art
Place of Publication: London England
Publisher: Commercial Art Ltd.
Frequency: Monthly
Period of Publication: 1922-1926
Period covered by AHR net: 1922-1926
Type of Publication: Journal
Description: Commercial Art was published by Commercial Art Ltd. in 5 volumes (42 issues) between October 1922 and June 1926. It was conceived as a trade journal for the British advertising industry and contains numerous, well-illustrated articles on posters, poster stamps, printing, typography, letter art, illustrations, signage, point-of-sale and window display, packaging, etc. Among artists whose work is discussed or illustrated in Commercial Art include E. McKnight Kauffer, Fred Taylor, Tom Purvis, Reginald Frampton, Jean d’Yllon, Austin Cooper. G.M. Ellwood, H.M. Bateman, Frank Brangwyn, Harold Nelson, Fred Pegram, E.A. Cox, Frank Newbould, Herrick, Aldo Cosmati, Charles Pears, Horace Taylor, Lovat Fraser, Anna and Doris Zinkeisen, Laurie Taylor, Septimus Scott, Rilette, F. Gregory Brown, Edmund J. Sullivan, George Sheringham, Robert Braun, Frederic W. Goudy, Paul E. Derrick, etc. |
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Title: Coterie
Place of Publication: London England
Publisher: Hendersons
Frequency: Quarterly
Period of Publication: 1919-1921
Period covered by AHR net: 1919-1921
Type of Publication: Journal
Description: Coterie was one of a number of short-lived literary and artistic magazines published during or immediately after World War One. Few of them survived for more than a few issues and Coterie was no exception, running for only 7 issues, including a double number (May 1919-Winter 1920/21). It was edited by Charman Lall (nos 1-5) and by Russell Green (nos.6/7). During its brief history, Coterie succeeded in attracting contributions from writers who were in the vanguard of the Modernist movement in Britain including T.S. Eliot, Aldus Huxley, Edith, Osbert and Sacheverell Sitwell, Herbert Read and Edmund Blunden. Artists illustrated in Coterie included Adrian Paul Allinson (who designed the cover of no.2), Walter Sickert, William Rothenstein, William Roberts (who designed the cover of no.3), Modigliani, Edward Wadsworth, John Flanagan, John Turnbull, David Bomberg (who designed the cover of no.4), Ossip Zadkine. André Derain, Mary Stella Edwards (who designed the cover of no.5), Alexander Archipenko, René Durey, and Nina Hamnett (who designed the cover of nos.6/7 and was on the Editorial Committee of Coterie). |
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Title: Drawing
Place of Publication: London England
Publisher: Drawing
Frequency: Monthly
Period of Publication: 1915-1920
Period covered by AHR net: Vols 1-4, 8-10, 1915-1920
Type of Publication: Journal
Description: Drawing described itself as “A paper devoted to art as a national asset, entirely owned, edited & managed by professional artists and designers”. These issues contain articles how to design a poster stamp; military sketching; the British Industries Fair; architectural drawing; art of the cinema; the cartoons of H. M. Bateman; Futurism in design; metal repoussé; stained glass; sketching the Kaiser; silhouette drawing; cartoonists and the war; window dressing by Compton Penrose; how to become an art teacher; caricature; stage decoration; cloisonné enameling . Contributors included John Hassall, Walter G. Raffé, Will Scott, P. Wylie Davidson, G. M. Ellwood, F. L. Griggs, Will Dyson; Robert Atkinson, Charles E. Dawson; and Anna Airy |
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Title: Drawing and Design
Place of Publication: London England
Publisher: Proprietors of Drawing & Design, new series
Frequency: Monthly
Period of Publication: 1920-1926
Period covered by AHR net: 1920-1926
Type of Publication: Journal
Description: Contains articles on contemporary drawing, etching, engraving, watercolour art and illustration. Focuses primarily on the work of British artists and artists working in Britain including F. Gregory Brown, Charles Shannon, , Tom Purvis, Bert Thomas, Gwen Raverat, Laura Knight, Fred Taylor, Robert Anning Bell, William Orpen, Haldane Macfall, E. McKnight Kauffer, G.M. Ellwood, Frank Brangwyn, Phoebe Stabler, Eric Kennington, Rex Vicat Cole, Hesketh Hubbard, William Rothenstein, Maxfield Armfield, Lucien Pissaro, Tom Mostyn, Laude Shepperson, Ethel Gabain, etc. |
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Title: Il Giovane Artista Moderno
Place of Publication: Turin Italy
Publisher: E. Cordier Editore
Frequency: Fortnightly
Period of Publication: 1902-1903
Period covered by AHR net: 1902-1903
Type of Publication: Journal
Description: Rare and fragile magazine. Each issue consists of 12 loose-leaf pages containing an introduction followed by numerous examples of contemporary Italian decorative and applied art, e.g. ceramics, glass, jewelry, art metalwork, furniture, posters, advertising graphics, illustration, etc. The magazine was heavily influenced by the prevailing Stile (Art Nouveau) style and was probably launched to coincide with the Esposizione Internazionale d'Arte Decorativa Moderna (International Exposition of Modern Decorative Arts) held in Turin in 1902. Il Giovane Artista Moderna was succeeded by L'Artista Moderno. Rivista illustrata d'arte applicata (1904-1941). Although initially also issued fortnightly and continuing the volume sequence of Il Giovane Artista Moderna, L'Artista Moderno. Rivista illustrata d'arte was more conventional in its format. |
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Title: The Gypsy
Place of Publication: London
Publisher: The Pomegranate Press
Period of Publication: 1915
Type of Publication: Journal
Description: A short-lived journal (only two issues published). Contained short stories, essays, poems, illustrations, sonnets, and prose. The journal was launched during the second year of World War One. In their foreword the editors of the magazine wrote "we are aware of the fact, of which doubtless we shall be reminded, that in these days half the world is at war. We are also aware, however, that the first duty of an artist is to express as best he can whatever ideas may occur to him." The art editor of the magazine was Alan Odle (1888-1948) who at the time of its publication was a student at St John’s Wood School in London. Artists and writers who contributed to the first issue of the magazine Arthur Simon, Albert Rothenstein, Nina Hamnett, Charles Conder,Theodore Watts-Dunton, Edmund Gosse, Henry Savage, Richard Le Gallienne, Walter de la Mare, Ambrose McEvoy, and Arthur Machen |
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Title: The Ideal
Place of Publication: London, England England
Publisher: George Newnes Ltd.
Frequency: Quarterly
Period of Publication: 1903
Type of Publication: Journal
Description: Edited by G. M. Temple. The most short-lived of art magazines - only one issue was published [volume 1, part 1, 1903]. It was extremely large in format [55 cm x 40 cm], issued in a box, and in a limited edition of only 250 copies. The cost of production may account for the fact that no further issues were published. Articles include ‘Celebrated Artists and their Work – 1. Valasquez’ by Frederick Wedmore; ‘Artists’ Ideals of Women’ by Sir Wyke Bayliss; ‘A Moorish Garden: A Dream of Granada by Lord Leighton P.R.A.’ by G. M. Temple; ‘The Venice of Turner’ by Bernard Capes; ‘Illuminated Horæ: Some Early Netherlandish Examples’ by W. H. James Weale; ‘Fortuny’ by A. Lys Baldry, etc. |
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Title: L'image
Place of Publication: Paris France
Publisher: A. Floury, Éditeur
Frequency: Monthly
Period of Publication: 1896-1897
Period covered by AHR net: Numbers 1-12, 1896-97
Type of Publication: Journal
Description: L’Image, subtitled Revue Mensuelle Artistic et Litteraire and as Revue Mensuelle Litteraire et Artistic, was published monthly in Paris between December 1896 and December 1897 by Henri Floury on behalf of the Corporation Française des Graveurs sur Bois. The editor was the engraver Tony Beltrand, who also provided art direction in collaboration with Léon Ruffe and Auguste Lepère The aim of L’Image was to promote and encourage the art of wood engraving. It featured original work by many of the leading engravers, illustrators, graphic artists and painters then active in France including Jules Chéret, Eugène Carrière, Fantin-Latour, Victor Prouvé, Henri Bellery-Desfontaines, Puvis de Chavannes, Jean Émile Laboureur, Alphonse Mucha, Maurice Denis, Eugène Froment, Léon Perrichon, Georges de Feure, Auguste Rodin, Kees van Dongen, Edgar Degas, Frédéric Florian, Georges Jeanniot, Clément Bellenger, Eugène Carrière, Lucien Pissarro, Jacques Beltrand, Adolphe Hervier, Eugène Dété, Paul César Helleu, Théodule Ribot Félix Vallotton, Albert Besnard, Félix Bracquemond, Daniel Vierge, Louis Dunki, Henri Rivière, Jean Veber. Eugène Béjot, Jean Jacques Drogue, Georges D'Espagnat and Armand Seguin. Among artists who were commissioned to design covers for L’Image were Alphonse Mucha, Toulouse-Lautrec, Henri Bellery-Desfontaines, Victor Prouvé, Paul Berthon, Georges de Feure, and Marcel Lenoir. |
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Title: The Imprint
Place of Publication: London England
Publisher: The Imprint Publishing Co.
Frequency: Monhly
Period of Publication: 1913
Period covered by AHR net: Numbers 1-9, 1913
Type of Publication: Journal
Description: The Imprint was a short-lived but seminal journal devoted to the arts of printing, typography, illustration and lettering. It was published in London between January and November 1913. The editors were the influential English typographic designers F. Ernest Jackson, Edward Johnston, J. H. Mason, and Gerard T. Meynell, who were assisted by an Advisory Committee of over 30 artists and individuals from the realms of art, printing and publishing that included Joseph Pennell, W.R. Lethaby, Douglas Cockerell, Arthur Waugh, F. Morley Fletcher, R.A. Austen-Leigh, and Sidney Colvin. The Imprint contains articles on Poster Advertising on the London Underground; Children’s Book Illustration by Walter Crane; Decorative Lettering by Edward Johnston; Art and Workmanship by W.R. Lethaby; Current Trends in Illustration by Joseph Pennell; the Wood Engravings of Lucien Pissarro by J.B. Manson; Liturgical Books by Stanley Morison; the 1913 Arts and Crafts Exhibition by B. Newdigate; Post-Impressionism, with some personal recollections of Vincent Van Gogh and Paul Gauguin, by A.S. Hartrick; Honoré Daumier by Frank Rinder; the International Colour Printing and Poster Exhibition of 1913; etc. |
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Title: The Kensington
Place of Publication: London England
Publisher: Simpkin Marshall Hamilton Kent & Co.
Frequency: Monthly
Period of Publication: 1901
Period covered by AHR net: Vol. 1
Type of Publication: Journal
Description: Short-lived (only 7 issues published, March-September 1901) magazine of art, music and literature. Edited by Mrs. Steuart Erskine [Beatrice Erskine] and R.J. Richardson. Contains articles on the present position of French Impressionism; the Guild of Women Binders; the International Art Exhibition in Venice; contemporary American painters; theatre costume design; the history of art exhibitions in Rome; contemporary Scandinavian art; the lyric poetry of Robert Bridges; the operas of Handel; the work of Charles Shannon; and sculptors of the Italian Revival. Among writers who contributed articles to The Kensington were Christopher St. John [Christabel Marshall], Ailsa Craig, Salvatori Cortesi, Harriet L. Childe-Pemberton, and Selwyn Brinton. |
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Title: Kunstgewerbeblatt
Place of Publication: Leipzig Germany
Publisher: Verlag von G. A. Seemann
Frequency: Yearly
Period of Publication: 1885-1917
Period covered by AHR net: Volumes 1-28, 1890-1917
Type of Publication: Journal
Description: Kunstgewerbeblatt was a decorative arts journal published in two series - vols.1-5, 1885-1889; and vols. 1-28, 1890-1917. The focus of the first series, which was printed in the Gothic script, was primarily early and traditional German art. From the second series, the journal was printed in modern German script and the focus shifted to contemporary art, particularly Art Nouveau, and the German interpretation of the Arts and Crafts style. The journal includes well-illustrated articles on ceramics, glass, jewellery, furniture, metalwork, and surface decoration and, to a lesser extent, architecture. The editors of Kunstgewerbeblatt were: Arthur Pabst (October 1885-September 1894); Karl Hoffacker (October 1894-September 1905); and Fritz Hellwag (June 1908-September 1917) |
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Title: The New Coterie
Place of Publication: London England
Publisher: E. Archer
Frequency: Quarterly
Period of Publication: 1925-1927
Period covered by AHR net: 1925-1926
Type of Publication: Journal
Description: The New Coterie was the successor of Coterie (1919-1921) and was identical in its format, and similar in its contents. It consisted of six issues published between November 1925 and summer 1927. It is unclear who the editor was. It is thought that it may have been Russell Green who edited the last issue of Coterie. The front cover of each issue of The New Coterie was designed by William Roberts. Other artists whose work is reproduced in The New Coterie included Augustus John, William Rothenstein, Jean de Bosschère, Pearl Binder, Jacob Kramer, Karel Capek, Richard Wyndham, Nina Hamnett, Sidney Hunt, Bernard Meninsky, T.F. Powys, Frank Dobson, Eric Kennington, Cecil Salkeld, Stanley Spencer, and George William Bissill. Literary contributors included Nancy Cunard, Aldus Huxley, T.F. Powys, Rhys Davies, Liam O’Flaherty, D.H. Lawrence, Louis Golding, Karel Capek, and H.E. Bates. |
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Title: The Pageant
Place of Publication: London, England England
Publisher: Henry & Company
Frequency: Annual
Period of Publication: 1896-1897
Type of Publication: Journal
Description: Edited by C. Hazlewood Shannon and J.W. Gleeson White. Short-lived fin-de-siècle art and literary journal. Includes literary contributions by Charles Ricketts (who designed the cover of the journal), Lucien Pissarro, by Austin Dobson, Michael Field, Edmund Gosse, Victor Plarr, John Gray, Max Beerbohm and Selwyn Image. Artists whose work is illustrated include Dante Gabriel Rossetti, Laurence Housman, Charles Conder, Reginald Savage, Walter Crane, Gustave Moreau, Charles H. Shannon, Puvis de Chavannes, Edward Burne Jones, William Strang, Will Rothenstein, Giulio Campagnola, G.F. Watts etc. See: David Peters Corbett. Symbolism in British ‘Little Magazines’: The Dial (1889-97), The Pageant (1896-7), and The Dome (1897-1900 in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880- 1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.11-119 James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.200-201 |
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Title: The Palette
Place of Publication: Glasgow, Scotland Scotland
Publisher: Glasgow School of Art
Frequency: Annual
Period of Publication: 1919-1922
Type of Publication: Journal
Description: Contains prose, poetry and artwork by past and present students and staff and GSA. This issue also includes an article on poster design by E. McKnight Kauffer. The cover was designed by Norman Gorell. |
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Title: The Quartier Latin
Place of Publication: Paris France
Publisher: The American Art Association of Paris
Frequency: Monthly
Period of Publication: 1896-1899
Period covered by AHR net: Volumes I-VI
Type of Publication: Journal
Description: Published by the American Art Association of Paris. Written and illustrated by mainly young American and British writers and artists, mostly living in Paris at the time. Contributors include J. B. Yeats, G. O. Onions, Charles Pears, James Guthrie, Granville Fell, Gilbert James, Henry O. Tanner, F. Luis Mora, Ernest Seton Thompson, Philip Connard, Garth Jones, Dion Calthorp, Sandor Landeau, Leah Anson, Witos Tod, Kate Adair, Grace Gallatin, Ethelyn Friend, Lamar Middleton, Anna Gannon. Also includes contributions by J.K. Huysmans. |
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Title: The Quarto
Place of Publication: London, England England
Publisher: J. S. Virtue
Frequency: Annual
Period of Publication: 1896-1898
Type of Publication: Journal
Description: This was an annual (although two numbers were published in 1896). Edited by J. Bernard Holborn. Literary contributors included Gleeson White, G.K. Chesterton, Evelyn Sharp, Joseph Pennell, Edward F Strange, Netta Syrett, Percy Hemingway and Philip Treherne. Illustrated with work by Henry Tonks, Robert Hilton, G. F. Watts, Joseph Pennell, Alice B. Woodward, Thomas Cowper Gotch, D. Y. Cameron, A.E. Housman, Edward Burne-Jones, Augustus John, Paul Woodruffe, Walter Crane, A.J. Gaskin, George Clausen, etc. See: David Peters Corbett. Symbolism in British ‘Little Magazines’: The Dial (1889-97), The Pageant (1896-7), and The Dome (1897-1900 in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.111-119 James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.201-202 |
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Title: The Quest
Place of Publication: Birmingham England
Publisher: Cornish Brothers
Frequency: quarterly
Period of Publication: 1894
Type of Publication: Journal
Description: The Quest was one of the most significant Arts and Crafts journals. It was printed by hand at the Press of The Birmingham Guild of Handicrafts and published in Birmingham by Cornish Brothers between November 1894 and July 1896. Six issues were produced, each limited to 300 copies. It contains numerous wood-block illustrations by students of Birmingham Municipal School of Art and members of the Birmingham Guild, notable among whom were Georgie Gaskin, Arthur J. Gaskin, Evelyn Holden, Violet Holden, Joseph Southall, Celia Levetus, Mary Newill, Edmund Hort New, Sydney Meteyard, and Charles M. Gere. Literary contributors included Claude Napier-Clavering (on bookbinding); A. S. Dixon (on The Guild of Handicraft in Birmingham); W. R. Lethaby (‘Arts and Crafts and the Function of Guilds’); and William Morris (‘Gossip about an Old House on the Upper Thames’). See: Hoban, Sally. The Birmingham Municipal School of Art and Opportunities for Women’s Paid Work in the Arts and Crafts Movement. PhD thesis, University of Birmingham, 2013 |
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Title: The Quest [Prospectus]
Place of Publication: Birmingham England
Publisher: Cornish Brothers
Frequency: quarterly
Period of Publication: 1894
Type of Publication: Journal
Description: The Quest was one of the most significant Arts and Crafts journals. It was printed by hand at the Press of The Birmingham Guild of Handicrafts and published in Birmingham by Cornish Brothers between November 1894 and July 1896. Six issues were produced, each limited to 300 copies. It contains numerous wood-block illustrations by students of Birmingham Municipal School of Art and members of the Birmingham Guild, notable among whom were Georgie Gaskin, Arthur J. Gaskin, Evelyn Holden, Violet Holden, Joseph Southall, Celia Levetus, Mary Newill, Edmund Hort New, Sydney Meteyard, and Charles M. Gere. Literary contributors included Claude Napier-Clavering (on bookbinding); A. S. Dixon (on The Guild of Handicraft in Birmingham); W. R. Lethaby (‘Arts and Crafts and the Function of Guilds’); and William Morris (‘Gossip about an Old House on the Upper Thames’). See: Hoban, Sally. The Birmingham Municipal School of Art and Opportunities for Women’s Paid Work in the Arts and Crafts Movement. PhD thesis, University of Birmingham, 2013 |
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Title: Rhythm
Place of Publication: London England
Publisher: St Catherine Press/Stephen Swift & Company/Martin Secker
Frequency: Nos.1-4, quarterly; thereafter monthly.
Period of Publication: 1911-1913
Period covered by AHR net: Vols 1-2, 1911-1913
Type of Publication: Journal
Description: The magazine was conceived and edited by John Middleton Murry and Michael T.H. Sadler. Katherine Mansfield later joined as assistant editor and by the fifth issue John Duncan Fergusson (who designed the cover) was named as art editor. Literary contributors included Murry, Mansfield, Sadler, Holbrook Jackson, Frank Harris, Haldane MacFall, and Rupert Brooke. Artists whos work is illustrated include J.D. Fergusson, Pablo Picasso, Jessie Dismore, Anne Estelle Rice, S,j. Peploe, Augustus John, André Derain, Margaret Thompson. Albert Marquet, André Denoyer de Segonzac, Henri Gaudier- Breszka, Jack B. Yeats, William Orpen, Horace Brodzky, Nathalia Goncharova, Albert Rothenstein and Mikhail Larionov |
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Title: The Savoy
Place of Publication: London, England England
Publisher: Leonard Smithers
Frequency: Journal
Period of Publication: 1896
Type of Publication: Journal
Description: 8 issues published. Nos.1-2 subtitled “An illustrated Quarterly”; nos.3-8 subtitled “An Illustrated Monthly”. Edited by Arthur Symons. The Savoy was launched as a competitor to The Yellow Book and in content and philosophy it was very similar, with overtones of the decadent and the avant-garde. Indeed many of the contributors also wrote for The Yellow Book. These included W.B. Yeats, George Bernard Shaw, Joseph Conrad, Arthur Symons, Havelock Ellis, Ernest Dowson, Edmond Gosse, George Moore and Edward Carpenter. Illustrators of The Savoy included Audrey Beardsley (who designed the front covers), Max Beerbohm, William Rothenstein, Phil May, J. McNeil Whistler, Charles Shannon, Charles Conder, Walter Sickert, and Joseph Pennell. See: Laurel Brake. Aestheticism and Decadence: The Yellow Book (1894-7), The Chemeleon (1894), and The Savoy (1896) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.76-100 James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.191-192. |
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Title: The Scottish Art Review
Place of Publication: Glasgow, Scotland Scotland
Publisher: Elliot Stock
Frequency: Monthly
Period of Publication: 1888-1889
Period covered by AHR net: Vols 1-2, 1888-1889
Type of Publication: Journal
Description: A wide mix of articles on early and modern art, including articles on art at the Glasgow International Exhibition 1888; the art of Crawford Wintour; on exhibiting architectural drawings; progressiveness in art; the architecture of the Glasgow Exhibition buildings; nationality in art; new municipal buildings in Glasgow; the art student in Paris; Bastien-Lepage and Modern Realism; Japanese sword guards; modern Italian art; Sculpture at the Glasgow Exhibition; a pictorial play by Hubert von Herkomer. Also contains art news, and book and exhibition reviews. Contributors include Gleeson White, Arthur Symons, Peter Kropotkin, Havelock Ellis, Francis Newbery, Edward Carpenter, Patrick Geddes, Oscar Peterson, John Lavery and John Keppie. |
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Title: The Venture
Place of Publication: London, England England
Publisher: John Baillie/Pear Tree Press
Frequency: Bi-Yearly
Period of Publication: 1903, 1905
Type of Publication: Journal
Description: Only two volumes published. The 1903 volume was edited by Laurence Housman and W. Somerset Maugham. Maugham appears not to be involved in editing the 1905 volume. The 1903 volume contains Maugham’s first play, ‘Marriages are Made in Heaven’, along with contributions from G.K. Chesterton (first publication of 'The Philosophy of Islands'), Alice Meynell, Thomas Hardy (first publication of 'The Market- Girl'), A.E. Housman (first publication of 'The Oracles', Laurence Housman (‘Proverbial Romances’) John Masefield, Laurence Binyon, etc. The volume is illustrated with woodcuts by Charles Hazlewood Shannon, Charles Ricketts, T. Sturge Moore, Lucien Pissarro, E. Gordon Craig, Paul Woodroffe, and Laurence Housman (who also designed the front cover). The 1905 volume is particularly significant in containing the first appearance in book form of a work by James Joyce (‘Two Songs’). Other literary contributors included W. Somerset Maugham, Arthur Symons, T. Sturge Moore, G. K. Chesterton, and Thomas Hardy. Artists included are Charles Ricketts, Lucien Pissarro, E. Gordon Craig, J. Singer Sargent, J. M. Whistler, Frank Brangwyn, Augustus John, and Arthur Rackham. See: Laurel Brake. Aestheticism and Decadence: The Yellow Book (1894-7), The Chameleon (1894), and The Savoy (1896) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.76-100 |
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Title: The Windmill
Place of Publication: London England
Publisher: Messrs. Simpkin, Marshall, Hamilton, Kent, & Co. Ltd. / The New Century Press, Limited
Frequency: Quarterly
Period of Publication: 1898-1899
Period covered by AHR net: Vols 1-2
Type of Publication: Journal
Description: Only two volumes published. Volume 1, no.1, October 1898 - Volume 2, no.6, January-March 1900. Little known, short-lived, fin-de-siècle literary and art magazine. The editor is not given. Literary contributors included Laurence Housman, Gleeson White, Graily Hewitt, Dolf Wyllarde, Olive Custance, Edith Robarts, etc. Artists include Starr Wood (who designed the front cover of all issues), Laurence Housman, Jessie Bayes, Paul Woodroffe, C.H.B. Quennell, J.J. Guthrie, Alan Wright, T.H. Robinson, etc. |
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Title: The Yellow Book
Place of Publication: London; Boston, Massachusetts England; USA
Publisher: E. Mathews & J. Lane; Copeland & Day
Frequency: Quarterly
Period of Publication: 1894-1897
Period covered by AHR net: Volumes 1-13, 1894-1897
Type of Publication: Journal
Description: In their prospectus to Volume 1 (April 1894), the publishers and editors of The Yellow Book wrote that is was their aim to “depart as far as may be possible from the bad old traditions of periodical literature, and to provide an Illustrated Magazine which will be as beautiful as a piece of book-making, modern and distinguished in its letter-press and its pictures, and withal popular in the better sense of the world." The Yellow Book captured the zeitgeist of the 1890s and, despite its short life, was highly influential both in Britain and abroad. Artists who contributed to the magazine included Aubrey Beardsley [who designed the cover of the first issue], Philip Wilson Steer, Walter Sickert, John Singer Sargent, Walter Crane, Charles Conder and William Rothenstein. Notable among literary figures that wrote for The Yellow Book were Henry James, H.G. Wells, Arnold Bennett, W.B. Yates, Edmund Gosse and George Gissing. |
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