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Title: Architectural Review
Place of Publication: London England
Publisher: Architectural Press
Frequency: Monthly
Period of Publication: 1896-1923
Period covered by AHR net: 1896-1923
Type of Publication: Journal
Description: Launched in 1896 as The Architectural Review for the Artist and Craftsman by Percy Hastings, owner of the Architectural Press. The Architectural Review is the longest-running and one of the most respected British architectural journals. During the period initially covered by AHR net (1896-1923), the focus of the journal was very much on the then prevailing Arts and Crafts style. Contains articles on domestic, commercial, industrial and civic architecture; as well as articles on stained glass; furniture; architectural sculpture; interior decoration, art metalwork; garden design, etc. Architects, designers and craftspeople whose work is discussed and illustrated include C.F.A. Voysey, C.R. Ashbee, M.H. Baillie Scott, and Christopher Whall. |
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Interior Design and Decoration
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Title: Architecture. A Magazine of Architecture and the Allied Arts and Crafts
Place of Publication: London
Publisher: The Builder Limited
Period of Publication: 1925
Type of Publication: Journal
Description: Former title Architecture: The Journal of the Society of Architects. Published monthly until 1928, then bi-monthly. The period covered by AHR net is vol. vol.4, no.7, November 1925 - vol. 5, no.19, November 1926. These issues contain articles on the Modern movement in architecture by Howard Robertson; the "Queen Anne" movement by H. S. Goodhart-Rendal; garden sculpture by Maria Petrie; women's influence on domestic architecture by H. J. Birnsting; painted panels in wall decoration in the home by Robert Arthur Wilson; the preservation of rural architecture by E. Guy Dawber; the use of concrete in architecture by A. Trystan Edwards; mural painting; the craft revival in Dublin by Manning Robertson; the future of stained glass by Reginald Hallward; shopping and art; the future of the small house, etc. We will digitize more issues of this journal if they can be traced. |
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Title: The Art Student
Place of Publication: Birmingham England
Publisher: Cornish Bros, New Street; Midland Educational Co.
Frequency: Quarterly
Period of Publication: 1885-1887
Period covered by AHR net: 1885-1887
Type of Publication: Journal
Description: The Art Student contains a wide range of articles on the fine and decorative arts, including examples of work by students at the school. The format and standard of production of the journal is comparable with any of the leading contemporary art serial publications such as the Magazine of Art, the Art Journal or The American Art Review. The Art Student includes articles on stained glass, repoussé work, art education, the National Competition of 1885 and 1886, chromo-lithography, ‘Hope by G.F.Watts (1817-1904), etc. Among the journal’s contributors were the artists Thomas Cooper Gotch (1854-1931), Joseph Finnemore (1860-1939), John Fullwood (1854-1931) and Thomas Spall (1853-?) |
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Title: Art Workers' Quarterly
Place of Publication: London England
Publisher: Chapman & Hall
Frequency: Quareterly
Period of Publication: 1902-1906
Period covered by AHR net: Volumes 1-5, 1902-1906, plus two special issues, 1908
Type of Publication: Journal
Description: The Art Workers' Quarterly, subtitled, A Portfolio of Practical Designs for Decorative and Applied Arts, was published in five volumes by Chapman & Hall, London, between 1902 and 1906. The editor was W.G. Paulson Townsend, the author of several books and articles on the decorative arts. In his foreword to volume 1, no. 1, he wrote that the object of The Art Workers' Quarterly, was provide a source of inspiration for art workers and “to supply designs in a readily applicable form to those who do not invent, plan, or adapt ornament, and who find difficulty in obtaining good and suitable suggestions for their work. Further, it is his aim to assist those who may have some knowledge of the principles on which ornamental design is constructed, by publishing specimens of good work from the best historical and contemporary examples”. Like The Craftsman, launched the previous year in the USA, William Morris was the subject of the first article in The Art Workers’ Quarterly. Subsequent articles reported on the work and activities of the leading art schools including the Royal Academy Schools, Royal School of Art Needlework, the Royal College of Art, Central School of Arts and Crafts, Camberwell School of Arts and Crafts, and Keswick School of Industrial Arts, and the principle craft organizations, guilds and societies such as the Church Crafts League, the Home Arts and Industries Association, the Dress Designers Exhibition Society, the Clarion Guild of Handicrafts, and the Arts and Crafts Exhibition Society. There were also articles on Lace Making in Ireland; the British Section at the St. Louis Exposition of 1904; the Impact of Modern Social and Economic Conditions on the Decorative Arts; the architecture of Letchworth Garden City, etc. These were interspersed with practical, well-illustrated articles on wood block printing, mural decoration, ornamental lettering, metalwork, embroidery, weaving, furniture, ceramics, stained glass, bookbinding, etc. Townsend was successful in attracting many of the leading commentators on the decorative arts to write pieces for The Art Workers’ Quarterly, including May Morris, Walter Crane, J. Illingworth Kay, Alexander Fisher, Lawrence Weaver, Bernard Rackham, Silvester Sparrow, Alfred Stevens, A. Romney Green, and James Guthrie. Among artists and designers whose work featured in The Art Workers’ Quarterly were some of the major figures in the English Arts and Crafts movement including Ambrose Heal Jr., Walter Crane, C.F.A. Voysey, Alexander Fisher, May Morris, R.A. Dawson. W.J. Neatby, Harold Stabler, Allan Vigers, W. Curtis Green, A. Romney Green. Heywood Sumner, Charles E. Dawson, Edward Spencer, Bernard Cuzner, Arthur Gaskin, Charles Spooner, C.R. Ashbee, Paul Woodroffe, Ernest Gimson, Mary Seton Fraser Tytler (Mrs G.F. Watts), Ernestine Mills and Sidney Barnsley An additional two special issues of The Art Workers’ Quarterly were published in August and December 1908. These contained the papers and extracts of papers read at the Third International Art Congress for the development of Drawing and Art Teaching and the Application to Industries held in London, August, 1908, as well as a record of the Retrospective Exhibition of Students’ Works, held at the Victoria & Albert Museum, London, in connection with the Congress. Together with volumes 1-5 of The Art Workers’ Quarterly, these have also been digitized for ReVIEW. |
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Title: Artwork
Place of Publication: London England
Publisher: Artwork Publishing Co.
Frequency: Quarterly
Period of Publication: 1924-1931
Period covered by AHR net: 1924-1931
Type of Publication: Journal
Description: London, England: Artwork Publishing Co., 1924-1931 [The period covered by ReVIEW is 1924-1931. Available now] Initially subtitled An Illustrated Quarterly of the Arts and Crafts, and later The International Quarterly of Arts and Crafts, Craftwork was published in 7 volumes (28 issues). It was edited by Herbert Wauthier (1924-28); D.S. McColl (1929-30); and Randolf Schwabe (1930-1931). The journal was a critical review of contemporary fine, decorative and applied art. It contains articles on wall decoration, sculpture, poster art, hand printing, photography, scenography, wood engraving, woodcuts, furniture design, batik, industrial design, stained glass, etching, medal design, architectural drawing, advertising art, ceramics, lithography, silversmithing, glass art, prints, illustration, architecture, documentary films, textile design, etc. Contributors to Artwork included, James Laver, John Grierson, R.H. Wilenski, John Rothenstein, Douglas Percy Bliss, Martin Hardie, Sir Reginald Blomfield, Henry Tonks, John Gloag, E.O. Hoppé, Bernard Rackham, Jacob Epstein, Wyndham Lewis, Charles Ginner, Gordon Craig, Omar Ramsden, E. McKnight Kauffer, Edward Wadsworth, Frederick Etchells, Robert Anning Bell, Eric Gill, Gordon Russell, Paul Nash, William Rothenstein, Muirhead Bone, etc. Among artists whose work is discussed or illustrated in Artwork include C.R.Ashbee, Frank Brangwyn, Ivan Mestrovic, W.G. Raffé, Eric Gill, William Roberts, E. McKnight Kauffer, Georg Jensen, Bernard Leach, Eric Ravilious, Aristide Maillol, René Lalique, Diego Rivera, Frans Masereel, John Skeaping, Edward Bawden, Charles Rennie Mackintosh, Walter Crane, David Jones, Katherine Pleydell-Bouverie, Dora Braden, Edward Johnston, Pablo Picasso, Aubrey Beardsley, etc. |
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Walls and Ceilings: Decoration
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Title: Drawing
Place of Publication: London England
Publisher: Drawing
Frequency: Monthly
Period of Publication: 1915-1920
Period covered by AHR net: Vols 1-4, 8-10, 1915-1920
Type of Publication: Journal
Description: Drawing described itself as “A paper devoted to art as a national asset, entirely owned, edited & managed by professional artists and designers”. These issues contain articles how to design a poster stamp; military sketching; the British Industries Fair; architectural drawing; art of the cinema; the cartoons of H. M. Bateman; Futurism in design; metal repoussé; stained glass; sketching the Kaiser; silhouette drawing; cartoonists and the war; window dressing by Compton Penrose; how to become an art teacher; caricature; stage decoration; cloisonné enameling . Contributors included John Hassall, Walter G. Raffé, Will Scott, P. Wylie Davidson, G. M. Ellwood, F. L. Griggs, Will Dyson; Robert Atkinson, Charles E. Dawson; and Anna Airy |
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Title: The House
Place of Publication: London England
Publisher: Horace Cox, H. Virtue, etc.
Frequency: Monthly
Period of Publication: 1897-1903
Period covered by AHR net: Volumes 1-8, 11, 1897-1901, 1902
Type of Publication: Journal
Description: In the introduction to the first issue of The House the editor observed that “There are now dozens of journals which have to do with the dressing and adornment of the body; but strange to say, there is not one dealing exclusively with the dressing of the house. “ This, they asserted would be the function of The House. Over the next five years the magazine covered every conceivable aspect of the furnishing and management of the Victorian home with articles on furniture, lighting, wallpaper, carpets and rugs, tiles, art needlework, ceramics, glassware, decorative woodcarving, stained glass, art metalwork, etc. It also includes book and exhibition reviews. Among artists, designers and firms whose work feature in The House are Walter Crane, Liberty & Co., Heal & Sons, G.C. Haité, H. Stacy Marks, E.J. Poynter and John Ruskin. The influence of the Arts and Crafts movement is evident in many of the articles. |
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Title: Kunst und Handwerk
Place of Publication: München Germany
Publisher: Druck und Verlag R. Oldenbourg; and Georg W. Dietrich
Frequency: Monthly
Period of Publication: 1897-1932
Period covered by AHR net: Volumes 47-72, 1898-1922
Type of Publication: Journal
Description: A continuation of Zeitschrift des Bayerischen Kunstgewerbe-Vereins. Contains articles on mainly Bavarian fine and applied art. Covers all periods. Includes articles on Hans Thoma, John Ruskin, ceramics by the Heider pottery, modern poster art, Nikolaus Gysis, the architecture of Emanuel von Seidl, C.R. Ashbee and the Guild of Handicraft, Franz Ringer, Wilhelm Bertsch, etc. NOTE: Initially it will only be possible to browse and make a limited search of this journal as up to 1920 the text uses the black letter (gothic) script. We will be converting the text into modern German script to enable more comprehensive searching |
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Available: Now [note: the OCR has not yet been proof-read, however it can be searched]
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