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Title: Architectural Review
Place of Publication: London England
Publisher: Architectural Press
Frequency: Monthly
Period of Publication: 1896-1923
Period covered by AHR net: 1896-1923
Type of Publication: Journal
Description: Launched in 1896 as The Architectural Review for the Artist and Craftsman by Percy Hastings, owner of the Architectural Press. The Architectural Review is the longest-running and one of the most respected British architectural journals. During the period initially covered by AHR net (1896-1923), the focus of the journal was very much on the then prevailing Arts and Crafts style. Contains articles on domestic, commercial, industrial and civic architecture; as well as articles on stained glass; furniture; architectural sculpture; interior decoration, art metalwork; garden design, etc. Architects, designers and craftspeople whose work is discussed and illustrated include C.F.A. Voysey, C.R. Ashbee, M.H. Baillie Scott, and Christopher Whall. |
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Interior Design and Decoration
Available: Now
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Title: The Artist
Place of Publication: London England
Publisher: A. Constable; Paris: H. Floury; New York: Truslove, Hanson & Comba
Frequency: Monthly
Period of Publication: 1880-1902
Period covered by AHR net: Vols 18-30, 33 1896-1902
Type of Publication: Journal
Description: The Artist, Vols 18-30, 33 1896-1901, 1902, published by ARCHIBALD CONSTABLE & CO. of WESTMINSTER The Artist and Journal of Home Culture, also The Artist, was a monthly art and design journal published in London by Archibald Constable & Co. from 1880 to 1902. From 1881 to 1894 the full title was The Artist and Journal of Home Culture. From 1896 the full title became The Artist: An Illustrated Monthly Record of Arts, Crafts and Industries. An American edition was published in New York by Truslove, Hanson & Comba. |
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Title: Arts & Crafts
Place of Publication: London England
Publisher: Hutchinson & Co.
Frequency: Monthly
Period of Publication: 1904-1906
Period covered by AHR net: 1904-1906
Type of Publication: Journal
Description: Intended for both the professional and the amateur craftsperson, Arts & Crafts is an important source on the middle period of the Arts and Crafts movement in England. In addition to practical articles on craftmaking, particularly jewellery, bookbinding, furniture, metalwork and embroidery, it included articles on the work of some of the leading names in the Arts and Crafts movement, such as M.H. Baillie Scott, and Walter Crane. It also contained book reviews and reports on exhibitions of the Arts and Crafts Exhibition Society, the Paris Salon, the Royal Academy, etc. |
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Title: Brush & Pencil
Place of Publication: Chicago, Illinois USA
Publisher: The Arts and Crafts Publishing Company / The Brush and Pencil Publishing Company
Frequency: Monthly
Period of Publication: 1897-1907
Period covered by AHR net: Volumes I-IXX, 1897-1907
Type of Publication: Journal
Description: Brush and Pencil was the official journal of the Brush and Pencil Club in Chicago. It was a well-illustrated review of contemporary American painting and sculpture, with occasional articles on the decorative and applied arts and work by foreign artists. It also contained a monthly round-up of art news, together with book reviews and exhibition reports. The first editor of Brush and Pencil was Charles Francis Browne (1859-1920), an instructor at the Art Institute of Chicago and one of the founders of the Club. He was succeeded by Frederick William Morton (1859-1935) who remained its editor until the closure of the magazine in June 1907. |
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Title: The Century Guild Hobby Horse
Place of Publication: London, England England
Publisher: Chiswick Press, etc.
Frequency: Quarterly
Period of Publication: 1884-1892
Type of Publication: Journal
Description: The official journal of the Century Guild of Artists. Founded by the architect and designer Arthur Heygate Mackmurdo (1851-1942), the Guild was one of the earliest Arts and Crafts groups in Britain. The magazine contained essays on art, literature, and occasionally architecture and music. The principle contributors included Mackmurdo, Selwyn Image (the author of numerous articles), Arthur Galton, May Morris, Herbert P. Horne, Christina Rossetti, and Hubert Parry. The Hobby Horse was much admired by William Morris. By fusing art and literature in a magazine whose layout and design was a conscious aesthetic statement, it was precursor of pioneering Modernist magazines such as The Savoy, The Yellow Book and The Dome. See: Imogen Hart. ‘The Arts and Crafts Movement’ The Century Guild Hobby Horse (1884-94), The Evergreen (1895-7), and The Acorn (1905-6) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.120-141 |
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Title: Furniture and Decoration
Place of Publication: London, England England
Publisher: Smith & Botwright/Timms & Webb
Frequency: Monthly
Period of Publication: 1890- 1899
Type of Publication: Journal
Description: Rare and little known trade journal. Together with the Cabinet Maker and Art Furnisher, and the Journal of Decorative Art (both launched a decade earlier), Furniture and Decoration is an invaluable source on late Victorian furniture design and interior decoration. The influence of the Arts and Crafts aesthetic on the latter title is evident by its detailed coverage of the 2nd exhibition of the Arts and Craft Exhibition Society on the first page of its first issue. Arts:Search has digitized issues 1-24 (January 1890-December 1891). These issues were published monthly. The frequency of publication after December 1891 is unclear. We will digitize further issues if they can be traced. |
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Interior Design and Decoration
Available: 1890 and 1891 available, 1892 and 1897 available soon
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Title: The Quest
Place of Publication: Birmingham England
Publisher: Cornish Brothers
Frequency: quarterly
Period of Publication: 1894
Type of Publication: Journal
Description: The Quest was one of the most significant Arts and Crafts journals. It was printed by hand at the Press of The Birmingham Guild of Handicrafts and published in Birmingham by Cornish Brothers between November 1894 and July 1896. Six issues were produced, each limited to 300 copies. It contains numerous wood-block illustrations by students of Birmingham Municipal School of Art and members of the Birmingham Guild, notable among whom were Georgie Gaskin, Arthur J. Gaskin, Evelyn Holden, Violet Holden, Joseph Southall, Celia Levetus, Mary Newill, Edmund Hort New, Sydney Meteyard, and Charles M. Gere. Literary contributors included Claude Napier-Clavering (on bookbinding); A. S. Dixon (on The Guild of Handicraft in Birmingham); W. R. Lethaby (‘Arts and Crafts and the Function of Guilds’); and William Morris (‘Gossip about an Old House on the Upper Thames’). See: Hoban, Sally. The Birmingham Municipal School of Art and Opportunities for Women’s Paid Work in the Arts and Crafts Movement. PhD thesis, University of Birmingham, 2013 |
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Title: The Quest [Prospectus]
Place of Publication: Birmingham England
Publisher: Cornish Brothers
Frequency: quarterly
Period of Publication: 1894
Type of Publication: Journal
Description: The Quest was one of the most significant Arts and Crafts journals. It was printed by hand at the Press of The Birmingham Guild of Handicrafts and published in Birmingham by Cornish Brothers between November 1894 and July 1896. Six issues were produced, each limited to 300 copies. It contains numerous wood-block illustrations by students of Birmingham Municipal School of Art and members of the Birmingham Guild, notable among whom were Georgie Gaskin, Arthur J. Gaskin, Evelyn Holden, Violet Holden, Joseph Southall, Celia Levetus, Mary Newill, Edmund Hort New, Sydney Meteyard, and Charles M. Gere. Literary contributors included Claude Napier-Clavering (on bookbinding); A. S. Dixon (on The Guild of Handicraft in Birmingham); W. R. Lethaby (‘Arts and Crafts and the Function of Guilds’); and William Morris (‘Gossip about an Old House on the Upper Thames’). See: Hoban, Sally. The Birmingham Municipal School of Art and Opportunities for Women’s Paid Work in the Arts and Crafts Movement. PhD thesis, University of Birmingham, 2013 |
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