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Title: The Artist
Place of Publication: London England
Publisher: A. Constable; Paris: H. Floury; New York: Truslove, Hanson & Comba
Frequency: Monthly
Period of Publication: 1880-1902
Period covered by AHR net: Vols 18-30, 33 1896-1902
Type of Publication: Journal
Description: The Artist, Vols 18-30, 33 1896-1901, 1902, published by ARCHIBALD CONSTABLE & CO. of WESTMINSTER The Artist and Journal of Home Culture, also The Artist, was a monthly art and design journal published in London by Archibald Constable & Co. from 1880 to 1902. From 1881 to 1894 the full title was The Artist and Journal of Home Culture. From 1896 the full title became The Artist: An Illustrated Monthly Record of Arts, Crafts and Industries. An American edition was published in New York by Truslove, Hanson & Comba. |
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Title: Arts & Crafts
Place of Publication: London England
Publisher: Hutchinson & Co.
Frequency: Monthly
Period of Publication: 1904-1906
Period covered by AHR net: 1904-1906
Type of Publication: Journal
Description: Intended for both the professional and the amateur craftsperson, Arts & Crafts is an important source on the middle period of the Arts and Crafts movement in England. In addition to practical articles on craftmaking, particularly jewellery, bookbinding, furniture, metalwork and embroidery, it included articles on the work of some of the leading names in the Arts and Crafts movement, such as M.H. Baillie Scott, and Walter Crane. It also contained book reviews and reports on exhibitions of the Arts and Crafts Exhibition Society, the Paris Salon, the Royal Academy, etc. |
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Title: The Craftsman
Place of Publication: Eastwood, NY USA
Publisher: United Crafts
Frequency: Monthly
Period of Publication: 1901-1916
Period covered by AHR net: Volumes 1-31, 1901-1916
Type of Publication: Journal
Description: The Craftsman played a seminal role in promoting the philosophy and ideals of the Arts and Crafts movement in America. It was founded by the designer Gustav Stickley (1858-1942) and published by his workshop United Crafts in Eastwood, New York. The influence of the English craft aesthetic on the The Craftsman is evident in the fact that four of the five articles in the first issue of the journal were on the work of William Morris and Morris & Company, and the second issue was largely devoted to the writings of John Ruskin. Other articles in the first two years of the journal included ‘Revival of English Handicrafts: the Haslemere Industries’; ‘Cobden-Sanderson and the Doves Bindery’; and ‘Some Cornish Craftsmen’. It was only towards the end of the second year of The Craftsman that it began to turn its attention to the crafts in other countries, and particularly America. Later articles include ‘René Lalique: His Rank Among Contemporary Artists’; ‘L’Art Nouveau, Its Origin and Development’; ‘Rookwood Pottery’; ‘Workshops and Residence of M. René Lalique’; ‘L'Art Nouveau: An Argument and Defence’; ‘Korin and the Decorative Art of Japan’; ‘Japanese Book Illustrations’; ‘Craftsmanship in the New York Schools’; ‘The Influence of the "Mission Style" Upon the Civic and Domestic Architecture of Modern California’, ‘August Rodin’; ‘Mural Painting from the American Point of View’; 'Tiffany and Company, at the St. Louis Exposition’; ‘The Future of Ceramics in America’; ‘Rossetti and Botticelli: a Comparison of Ideals and Art’; ‘The Decorations of the Chancel of Saint Thomas' Church, New York City: Work of John La Farge and Augustus St. Gaudens; ‘The New Art in Photography: Work of Clarence H. White, a Leader Among the Photo-Secessionists’; ‘Photography as One of the Fine Arts: the Camera Pictures of Alvin Langdon Coburn’; ‘Is There a Sex Distinction in Art? The Attitude of the Critic Toward Women's Exhibits’; ‘Why the Handicraft Guild at Chipping Campden Has Not Been a Business Success’; ‘Modern German Art: its Revelation of Present Social and Political Conditions in Prussianized Germany’; ‘An afternoon with Walter Crane’; ‘Town Planning in Theory and in Practice: the Work of Raymond Unwin’; ‘Mary Cassatt's Achievement: its Value to the World of Art’; ‘The strange genius of Aubrey Beardsley’; and ‘The new idea in French furniture, as expressed by Maurice Dufrène’ Gustav Stickley wrote frequently for The Craftsman. Among other contributors were Charles F. Binns, Ernest A. Batchelder, Ralph Waldo Emerson, G.K. Chesterton and Leopold Stokowski. |
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Interior Design and Decoration
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Title: Dekorative Kunst
Place of Publication: Munich Germany
Publisher: Verlaganstalt F. Bruckmann A.-G.
Frequency: Monthly
Period of Publication: 1897-1929
Period covered by AHR net: Volumes 1-31, 1897-1922
Type of Publication: Journal
Description: Dekorative Kunst was founded by H. (Hugo) Bruckmann (1863-1941), in association with the art critic J. (Julius) Meier-Graefe (1867-1935) and the writer and publisher Georg Hirth (1841-1916). The journal focused exclusively on contemporary decorative and applied art, particularly furniture, interior design, ceramics, glass, jewelry, metalwork and textiles. It played a significant role in promoting the Art Nouveau and Arts and Crafts movements in Germany. In its early years, coverage was international, however, after, c.1910 the journal concentrated more on the German and Austrian art. Notable among contributors to Dekorative Kunst were the art dealer S. (Siegfied) Bing (1838-1905), and the writer/designers Henry van de Velde (1863-1957) and Hermann Muthesius (1861-1927). Among the numerous artists and designers whose work featured in the journal were Peter Behrens, Richard Riemerschmid, C.R. Ashbee, M.H. Baillie Scott, C.F.A. Voysey, Charles Rennie Mackintosh, Josef Hoffmann, Koloman Moser and Gustav Klimt. Dekorative Kunst included long reports on the work of the Wiener Werkstätte and members of the Deutscher Werkbund, and on international exhibitions, particularly the Paris Exposition of 1900, the Esposizione Internationale d’Arte Decorativa Moderna in Turin in 1902, and the Louisiana Purchase Exhibition in St. Louis in 1904. |
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Title: Nederlandsche-Ambachts-Nijverheids-Kunst
Place of Publication: Rotterdam, The Netherlands Netherlands
Publisher: W. L. & J. Brusse
Frequency: Annual
Period of Publication: 1919-1932
Period covered by AHR net: 1919-1931
Type of Publication: Journal
Description: Title varies [the title of the 1928 edition is Uitzichten en Stroomingen in De Kunstnijverheid Jaarboek van Nederlandsche Ambachts- & Nijverheidskunst]. The yearbook of the Nederlandsche Vereeniging voor Ambachts- en Nijverheidskunst [Dutch Association of Craft and Decorative Arts] (VANK), founded in 1904. The yearbooks are an important source on contemporary Dutch decorative and applied art as most of designers and craftspeople working in the Netherlands at this time were members of VANK. Each issue of the yearbook contain brief reports on recent developments in Dutch design followed by between 70-100 pages of photographs of work by members of VANK, including interiors, furniture, ceramics, glass, jewelry, art metalwork, stained glass, wallpaper design, posters, graphic art, book design and textiles. Artists whose work is featured include Gerrit Rietveld, Willy Sluiter, Jan Toorop H. Th. Wijdeveld, C.A. Lion Cachet, Piet Zwart, Theo van Doesburg, Johan Thorn Prikker, W.H. Gispen, Willem Penaat, H.P. Berlage, etc. |
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Interior Design and Decoration
Available: 1919-1928 available now; 1929-1932 available soon
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