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Title: Art et Décoration
Place of Publication: Paris, France France
Publisher: Librairie Centrale des Beaux Arts
Frequency: Monthly
Period of Publication: 1897-1925
Period covered by AHR net: Volumes 1-28, 1897-1910*
Type of Publication: Journal
Description: Art et Décoration, could be described as “the French Studio”. It was launched four years after its British counterpart and had the same editorial style as The Studio with long, well-illustrated articles on contemporary fine, decorative and applied art, together with book and exhibition reviews and news items. The focus of Art et Décoration was on French, Belgian and Western European art. It includes extensive coverage of several international exhibitions including the Exposition Universelle et Industrielle in Paris in 1900. Publication of Art et Décoration was suspended between August 1914-April 1919. In June 1914 it absorbed L’Art Décoratif. |
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Interior Design and Decoration
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Title: The Art Student
Place of Publication: Birmingham England
Publisher: Cornish Bros, New Street; Midland Educational Co.
Frequency: Quarterly
Period of Publication: 1885-1887
Period covered by AHR net: 1885-1887
Type of Publication: Journal
Description: The Art Student contains a wide range of articles on the fine and decorative arts, including examples of work by students at the school. The format and standard of production of the journal is comparable with any of the leading contemporary art serial publications such as the Magazine of Art, the Art Journal or The American Art Review. The Art Student includes articles on stained glass, repoussé work, art education, the National Competition of 1885 and 1886, chromo-lithography, ‘Hope by G.F.Watts (1817-1904), etc. Among the journal’s contributors were the artists Thomas Cooper Gotch (1854-1931), Joseph Finnemore (1860-1939), John Fullwood (1854-1931) and Thomas Spall (1853-?) |
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Title: Art: A Monthly Record of Ancient and Modern Art
Place of Publication: London, England England
Publisher: S. C. Brown, Langham & Company
Frequency: Monthly
Period of Publication: 1903- 1905
Type of Publication: Journal
Description: Little is known about this magazine. It was edited and printed by J.-E. Buschmann in Antwerp, Belgium, and may have been a short-lived English language edition of the Belgian art journal Onze Kunst (1902-1929) which was also printed by Buschmann. There is a definite bias in ART towards Flemish and Dutch art with articles on Constantin Meunier, Rubens, contemporary Dutch applied art, the drawings of the Flemish masters, Dirk Nijland, Hugo van der Goes, H. P. Berlage, France Courtens, etc. Also contains a monthly roundup of mainly Belgian and Dutch art news. |
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Title: The Artist
Place of Publication: London England
Publisher: A. Constable; Paris: H. Floury; New York: Truslove, Hanson & Comba
Frequency: Monthly
Period of Publication: 1880-1902
Period covered by AHR net: Vols 18-30, 33 1896-1902
Type of Publication: Journal
Description: The Artist, Vols 18-30, 33 1896-1901, 1902, published by ARCHIBALD CONSTABLE & CO. of WESTMINSTER The Artist and Journal of Home Culture, also The Artist, was a monthly art and design journal published in London by Archibald Constable & Co. from 1880 to 1902. From 1881 to 1894 the full title was The Artist and Journal of Home Culture. From 1896 the full title became The Artist: An Illustrated Monthly Record of Arts, Crafts and Industries. An American edition was published in New York by Truslove, Hanson & Comba. |
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Title: L'Artista Moderno. Rivista illustrata d'arte applicata
Place of Publication: Turin Italy
Publisher: Società Tipografico-Editrice Nazionale (S.T.E.N.)
Frequency: Twice a month; monthly from January 1920
Period of Publication: 1901-1941
Period covered by AHR net: Volumes III-XXV, 1904-1922
Type of Publication: Journal
Description: Despite its long history, L'Artista Moderno is extremely scarce and little known outside Italy. It is one of the most important sources on contemporary decorative art, particularly the Stile Liberty (Art Nouveau) style, in Italy during the period covered by ReVIEW. It was published bimonthly and contains well-illustrated articles on ceramics, glass, furniture, poster design, graphic art, jewellery metalwork, textiles, interior design and architecture. In its latter years L'Artista Moderno was superseded by more radical Italian arts journals such as Domus. |
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Title: Arts & Crafts
Place of Publication: London England
Publisher: Hutchinson & Co.
Frequency: Monthly
Period of Publication: 1904-1906
Period covered by AHR net: 1904-1906
Type of Publication: Journal
Description: Intended for both the professional and the amateur craftsperson, Arts & Crafts is an important source on the middle period of the Arts and Crafts movement in England. In addition to practical articles on craftmaking, particularly jewellery, bookbinding, furniture, metalwork and embroidery, it included articles on the work of some of the leading names in the Arts and Crafts movement, such as M.H. Baillie Scott, and Walter Crane. It also contained book reviews and reports on exhibitions of the Arts and Crafts Exhibition Society, the Paris Salon, the Royal Academy, etc. |
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Title: Artwork
Place of Publication: London England
Publisher: Artwork Publishing Co.
Frequency: Quarterly
Period of Publication: 1924-1931
Period covered by AHR net: 1924-1931
Type of Publication: Journal
Description: London, England: Artwork Publishing Co., 1924-1931 [The period covered by ReVIEW is 1924-1931. Available now] Initially subtitled An Illustrated Quarterly of the Arts and Crafts, and later The International Quarterly of Arts and Crafts, Craftwork was published in 7 volumes (28 issues). It was edited by Herbert Wauthier (1924-28); D.S. McColl (1929-30); and Randolf Schwabe (1930-1931). The journal was a critical review of contemporary fine, decorative and applied art. It contains articles on wall decoration, sculpture, poster art, hand printing, photography, scenography, wood engraving, woodcuts, furniture design, batik, industrial design, stained glass, etching, medal design, architectural drawing, advertising art, ceramics, lithography, silversmithing, glass art, prints, illustration, architecture, documentary films, textile design, etc. Contributors to Artwork included, James Laver, John Grierson, R.H. Wilenski, John Rothenstein, Douglas Percy Bliss, Martin Hardie, Sir Reginald Blomfield, Henry Tonks, John Gloag, E.O. Hoppé, Bernard Rackham, Jacob Epstein, Wyndham Lewis, Charles Ginner, Gordon Craig, Omar Ramsden, E. McKnight Kauffer, Edward Wadsworth, Frederick Etchells, Robert Anning Bell, Eric Gill, Gordon Russell, Paul Nash, William Rothenstein, Muirhead Bone, etc. Among artists whose work is discussed or illustrated in Artwork include C.R.Ashbee, Frank Brangwyn, Ivan Mestrovic, W.G. Raffé, Eric Gill, William Roberts, E. McKnight Kauffer, Georg Jensen, Bernard Leach, Eric Ravilious, Aristide Maillol, René Lalique, Diego Rivera, Frans Masereel, John Skeaping, Edward Bawden, Charles Rennie Mackintosh, Walter Crane, David Jones, Katherine Pleydell-Bouverie, Dora Braden, Edward Johnston, Pablo Picasso, Aubrey Beardsley, etc. |
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Walls and Ceilings: Decoration
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Title: The Craftsman
Place of Publication: Eastwood, NY USA
Publisher: United Crafts
Frequency: Monthly
Period of Publication: 1901-1916
Period covered by AHR net: Volumes 1-31, 1901-1916
Type of Publication: Journal
Description: The Craftsman played a seminal role in promoting the philosophy and ideals of the Arts and Crafts movement in America. It was founded by the designer Gustav Stickley (1858-1942) and published by his workshop United Crafts in Eastwood, New York. The influence of the English craft aesthetic on the The Craftsman is evident in the fact that four of the five articles in the first issue of the journal were on the work of William Morris and Morris & Company, and the second issue was largely devoted to the writings of John Ruskin. Other articles in the first two years of the journal included ‘Revival of English Handicrafts: the Haslemere Industries’; ‘Cobden-Sanderson and the Doves Bindery’; and ‘Some Cornish Craftsmen’. It was only towards the end of the second year of The Craftsman that it began to turn its attention to the crafts in other countries, and particularly America. Later articles include ‘René Lalique: His Rank Among Contemporary Artists’; ‘L’Art Nouveau, Its Origin and Development’; ‘Rookwood Pottery’; ‘Workshops and Residence of M. René Lalique’; ‘L'Art Nouveau: An Argument and Defence’; ‘Korin and the Decorative Art of Japan’; ‘Japanese Book Illustrations’; ‘Craftsmanship in the New York Schools’; ‘The Influence of the "Mission Style" Upon the Civic and Domestic Architecture of Modern California’, ‘August Rodin’; ‘Mural Painting from the American Point of View’; 'Tiffany and Company, at the St. Louis Exposition’; ‘The Future of Ceramics in America’; ‘Rossetti and Botticelli: a Comparison of Ideals and Art’; ‘The Decorations of the Chancel of Saint Thomas' Church, New York City: Work of John La Farge and Augustus St. Gaudens; ‘The New Art in Photography: Work of Clarence H. White, a Leader Among the Photo-Secessionists’; ‘Photography as One of the Fine Arts: the Camera Pictures of Alvin Langdon Coburn’; ‘Is There a Sex Distinction in Art? The Attitude of the Critic Toward Women's Exhibits’; ‘Why the Handicraft Guild at Chipping Campden Has Not Been a Business Success’; ‘Modern German Art: its Revelation of Present Social and Political Conditions in Prussianized Germany’; ‘An afternoon with Walter Crane’; ‘Town Planning in Theory and in Practice: the Work of Raymond Unwin’; ‘Mary Cassatt's Achievement: its Value to the World of Art’; ‘The strange genius of Aubrey Beardsley’; and ‘The new idea in French furniture, as expressed by Maurice Dufrène’ Gustav Stickley wrote frequently for The Craftsman. Among other contributors were Charles F. Binns, Ernest A. Batchelder, Ralph Waldo Emerson, G.K. Chesterton and Leopold Stokowski. |
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Interior Design and Decoration
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Title: Dekorative Kunst
Place of Publication: Munich Germany
Publisher: Verlaganstalt F. Bruckmann A.-G.
Frequency: Monthly
Period of Publication: 1897-1929
Period covered by AHR net: Volumes 1-31, 1897-1922
Type of Publication: Journal
Description: Dekorative Kunst was founded by H. (Hugo) Bruckmann (1863-1941), in association with the art critic J. (Julius) Meier-Graefe (1867-1935) and the writer and publisher Georg Hirth (1841-1916). The journal focused exclusively on contemporary decorative and applied art, particularly furniture, interior design, ceramics, glass, jewelry, metalwork and textiles. It played a significant role in promoting the Art Nouveau and Arts and Crafts movements in Germany. In its early years, coverage was international, however, after, c.1910 the journal concentrated more on the German and Austrian art. Notable among contributors to Dekorative Kunst were the art dealer S. (Siegfied) Bing (1838-1905), and the writer/designers Henry van de Velde (1863-1957) and Hermann Muthesius (1861-1927). Among the numerous artists and designers whose work featured in the journal were Peter Behrens, Richard Riemerschmid, C.R. Ashbee, M.H. Baillie Scott, C.F.A. Voysey, Charles Rennie Mackintosh, Josef Hoffmann, Koloman Moser and Gustav Klimt. Dekorative Kunst included long reports on the work of the Wiener Werkstätte and members of the Deutscher Werkbund, and on international exhibitions, particularly the Paris Exposition of 1900, the Esposizione Internationale d’Arte Decorativa Moderna in Turin in 1902, and the Louisiana Purchase Exhibition in St. Louis in 1904. |
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Title: Deutsche Kunst und Dekoration
Place of Publication: Darmstadt Germany
Publisher: Alexander Koch
Frequency: Monthly
Period of Publication: 1897-1932
Period covered by AHR net: Volumes 1-27, 1897-1911*
Type of Publication: Journal
Description: Deutsche Kunst und Dekoration, sometime known as “the German Studio”, was launched four years after its British counterpart. It is similar, both in size and format, to The Studio, and like its predecessor, focused on the work of contemporary artists. It also included book and exhibition reviews and news items. Although international in its coverage, Deutsche Kunst und Dekoration had a bias towards German, Austrian, Scandinavian and Central European art. It included extensive reports on the Exposition Universelle et Industrielle in Paris in 1900, the Esposizione Internale d’Arte Decorativa Moderna held in Turin in 1902, and the work of the Wiener Werkstätte and the Deutsche Werkstätte. |
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Interior Design and Decoration
Available: 1897-1911 available now; 1912-1925 available soon
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Title: Drawing
Place of Publication: London England
Publisher: Drawing
Frequency: Monthly
Period of Publication: 1915-1920
Period covered by AHR net: Vols 1-4, 8-10, 1915-1920
Type of Publication: Journal
Description: Drawing described itself as “A paper devoted to art as a national asset, entirely owned, edited & managed by professional artists and designers”. These issues contain articles how to design a poster stamp; military sketching; the British Industries Fair; architectural drawing; art of the cinema; the cartoons of H. M. Bateman; Futurism in design; metal repoussé; stained glass; sketching the Kaiser; silhouette drawing; cartoonists and the war; window dressing by Compton Penrose; how to become an art teacher; caricature; stage decoration; cloisonné enameling . Contributors included John Hassall, Walter G. Raffé, Will Scott, P. Wylie Davidson, G. M. Ellwood, F. L. Griggs, Will Dyson; Robert Atkinson, Charles E. Dawson; and Anna Airy |
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Title: Il Giovane Artista Moderno
Place of Publication: Turin Italy
Publisher: E. Cordier Editore
Frequency: Fortnightly
Period of Publication: 1902-1903
Period covered by AHR net: 1902-1903
Type of Publication: Journal
Description: Rare and fragile magazine. Each issue consists of 12 loose-leaf pages containing an introduction followed by numerous examples of contemporary Italian decorative and applied art, e.g. ceramics, glass, jewelry, art metalwork, furniture, posters, advertising graphics, illustration, etc. The magazine was heavily influenced by the prevailing Stile (Art Nouveau) style and was probably launched to coincide with the Esposizione Internazionale d'Arte Decorativa Moderna (International Exposition of Modern Decorative Arts) held in Turin in 1902. Il Giovane Artista Moderna was succeeded by L'Artista Moderno. Rivista illustrata d'arte applicata (1904-1941). Although initially also issued fortnightly and continuing the volume sequence of Il Giovane Artista Moderna, L'Artista Moderno. Rivista illustrata d'arte was more conventional in its format. |
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Title: The House
Place of Publication: London England
Publisher: Horace Cox, H. Virtue, etc.
Frequency: Monthly
Period of Publication: 1897-1903
Period covered by AHR net: Volumes 1-8, 11, 1897-1901, 1902
Type of Publication: Journal
Description: In the introduction to the first issue of The House the editor observed that “There are now dozens of journals which have to do with the dressing and adornment of the body; but strange to say, there is not one dealing exclusively with the dressing of the house. “ This, they asserted would be the function of The House. Over the next five years the magazine covered every conceivable aspect of the furnishing and management of the Victorian home with articles on furniture, lighting, wallpaper, carpets and rugs, tiles, art needlework, ceramics, glassware, decorative woodcarving, stained glass, art metalwork, etc. It also includes book and exhibition reviews. Among artists, designers and firms whose work feature in The House are Walter Crane, Liberty & Co., Heal & Sons, G.C. Haité, H. Stacy Marks, E.J. Poynter and John Ruskin. The influence of the Arts and Crafts movement is evident in many of the articles. |
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Title: Jahrbuch Des Deutschen Werkbunde
Place of Publication: Munich: Berlin Germany
Publisher: Eugen Diederichs / Munich: F. Bruckmann / Berlin: Hermann Reckendorf
Frequency: Yearly
Period of Publication: 1912-1916/17, 1920
Type of Publication: Journal
Description: The yearbook of the Deutscher Werkbund (DWB) [founded 1907]. Volumes 1-5 of the yearbooks have the subtitle Jahrbuch des Deutschen Werkbundes; the subtitle of volume 6 is Jahrbücher des Deutschen Werkbundes. [There were no yearbooks issued in 1918 and 1919]. Membership of the DWB was open to architects and all active in the fields of design and the applied arts. The yearbooks contain a series of essays on recent developments in German design, followed by approximately 150-200 examples of representative work by members of the DWB. An exception to this format is the 1916-17 edition which was devoted to the design of war memorials and graves. |
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Interior Design and Decoration
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Title: Kunst und Handwerk
Place of Publication: München Germany
Publisher: Druck und Verlag R. Oldenbourg; and Georg W. Dietrich
Frequency: Monthly
Period of Publication: 1897-1932
Period covered by AHR net: Volumes 47-72, 1898-1922
Type of Publication: Journal
Description: A continuation of Zeitschrift des Bayerischen Kunstgewerbe-Vereins. Contains articles on mainly Bavarian fine and applied art. Covers all periods. Includes articles on Hans Thoma, John Ruskin, ceramics by the Heider pottery, modern poster art, Nikolaus Gysis, the architecture of Emanuel von Seidl, C.R. Ashbee and the Guild of Handicraft, Franz Ringer, Wilhelm Bertsch, etc. NOTE: Initially it will only be possible to browse and make a limited search of this journal as up to 1920 the text uses the black letter (gothic) script. We will be converting the text into modern German script to enable more comprehensive searching |
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Title: Kunstgewerbeblatt
Place of Publication: Leipzig Germany
Publisher: Verlag von G. A. Seemann
Frequency: Yearly
Period of Publication: 1885-1917
Period covered by AHR net: Volumes 1-28, 1890-1917
Type of Publication: Journal
Description: Kunstgewerbeblatt was a decorative arts journal published in two series - vols.1-5, 1885-1889; and vols. 1-28, 1890-1917. The focus of the first series, which was printed in the Gothic script, was primarily early and traditional German art. From the second series, the journal was printed in modern German script and the focus shifted to contemporary art, particularly Art Nouveau, and the German interpretation of the Arts and Crafts style. The journal includes well-illustrated articles on ceramics, glass, jewellery, furniture, metalwork, and surface decoration and, to a lesser extent, architecture. The editors of Kunstgewerbeblatt were: Arthur Pabst (October 1885-September 1894); Karl Hoffacker (October 1894-September 1905); and Fritz Hellwag (June 1908-September 1917) |
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Title: Nederlandsche-Ambachts-Nijverheids-Kunst
Place of Publication: Rotterdam, The Netherlands Netherlands
Publisher: W. L. & J. Brusse
Frequency: Annual
Period of Publication: 1919-1932
Period covered by AHR net: 1919-1931
Type of Publication: Journal
Description: Title varies [the title of the 1928 edition is Uitzichten en Stroomingen in De Kunstnijverheid Jaarboek van Nederlandsche Ambachts- & Nijverheidskunst]. The yearbook of the Nederlandsche Vereeniging voor Ambachts- en Nijverheidskunst [Dutch Association of Craft and Decorative Arts] (VANK), founded in 1904. The yearbooks are an important source on contemporary Dutch decorative and applied art as most of designers and craftspeople working in the Netherlands at this time were members of VANK. Each issue of the yearbook contain brief reports on recent developments in Dutch design followed by between 70-100 pages of photographs of work by members of VANK, including interiors, furniture, ceramics, glass, jewelry, art metalwork, stained glass, wallpaper design, posters, graphic art, book design and textiles. Artists whose work is featured include Gerrit Rietveld, Willy Sluiter, Jan Toorop H. Th. Wijdeveld, C.A. Lion Cachet, Piet Zwart, Theo van Doesburg, Johan Thorn Prikker, W.H. Gispen, Willem Penaat, H.P. Berlage, etc. |
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Interior Design and Decoration
Available: 1919-1928 available now; 1929-1932 available soon
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Title: Revue Artistique et Industrielle
Place of Publication: Bologna, Italy Italy
Publisher: Paul Sironi. Paris: Ed. Chjatenay
Frequency: Monthly
Period of Publication: 1901-1902
Type of Publication: Journal
Description: A short-lived Art Nouveau journal. It appears to have been a spin-off of the Exposition Universelle held in Paris in 1900, and contains a series of richly-illustrated articles by various authors on contemporary French architecture and decorative art. Includes features on the hotel and restaurant interiors, furniture, electric light fittings, stained glass, art metalwork, mural painting, shop window design, wallpaper, pottery, etc. Designers, companies and ateliers whose work is illustrated include Louis Majorelle, ‘Art Nouveau’ Bing, Maison Richard, Emile Gallé, Hector Guimard, Paul Bec, Louis Feelix Bigaux, Maison Millet, etc |
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Interior Design and Decoration
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Title: The Studio
Place of Publication: London England
Publisher: The Studio Ltd.
Frequency: Monthly
Period of Publication: 1893-1964
Period covered by AHR net: Volumes 1-84, 1893-1922
Type of Publication: Journal
Description: The Studio was one of the most respected and influential art journals published in Britain. It was international in its coverage, and contained, long, often well-illustrated articles on all aspects of the decorative, fine and applied arts. It included contributions from many of the leading art critics of the day, e.g. Aymer Vallance, Fernand Knopff and A. Lys Baldry. Each issue of The Studio also contained a round-up of the latest art news, reports on recent exhibitions, and book reviews. The Studio played an important role in promoting trends and developments in contemporary art and was largely responsible for establishing the reputations of many artists notably Aubrey Beardsley, James McNeill Whistler, and the artists of the Glasgow School. |
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Interior Design and Decoration
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