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Title: The Apple
Place of Publication: London England
Publisher: Colour/Morland Press, Ltd.
Frequency: Quarterly
Period of Publication: 1920-1922
Period covered by AHR net: 1920-22
Type of Publication: Journal
Description: Published quarterly as an off-shoot of Colour magazine between January 1920 and April 1922. The magazine is divided into two distinct sections “Art”, which encompasses etchings, woodcuts, pencil drawings, etchings engravings, charcoal drawings, sculpture, lithographs, wash drawings, and aquatints, and "Letters”, which includes literary criticism, topical articles, poetry and short stories. Among the literary contributors are Ezra Pound, Kenneth Hare, Cecil French, Thomas Moult, W. H. Davies, Robert Grave, etc. Wyndham Lewis, Frank Brangwyn, John Nash, Gordon Craig, Steinlen, Randolph Schwabe, Joseph Southall, George Clausen, Paul Nash, Claude Lovat Fraser, Lucian Pissarro, Robert Gibbings, E, Knight Kauffer, Charles Ginner, Ethel Gabain, and others. |
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Title: Art in Australia
Place of Publication: Sydney, Australia Australia
Publisher: Sydney Ure Smith, Bertram-Stevens, and C. L. Jones
Frequency: Two issues a year; from 1921 quarterly
Period of Publication: 1916-1940
Period covered by AHR net: Vols 1-3
Type of Publication: Journal
Description: Art in Australia was the first significant art journal to be published in Australia and is now very scarce. We have digitized the first ten years of the journal (1916-1925) in its entirety, including the advertisements. Each issue of the journal has approximately 100-pages, however, it was not paginated. The fact that it is so scarce and is not paginated, probably accounts for the fact that articles from this journal are seldom cited. In digitizing the journal, we have added pagination (assuming the title page to be page 1). As with all the journals digitized by AHR net, we have added biographical information on all the artists whose work is discussed or illustrated in Art in Australia, giving the full name and gender of the artist, together with a supplementary bibliography and Internet links. |
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Title: Artistic Japan
Place of Publication: London England
Publisher: Sampson Low, Marston, Searle & Rivington
Frequency: Monthly
Period of Publication: 1888-1891
Period covered by AHR net: Volumes 1-6, 1888-1890
Type of Publication: Journal
Description: Founded and compiled by the German art dealer S. (Siegfied) Bing (1838-1905) Artistic Japan was published simultaneously in English, German [Japanischer Formenschatz] and French [Le Japon Artistique]. Bing’s declared aim in producing the journal was to “stimuler l’intérêt des amateurs”and “exercer une influence sur le goût, la culture, l’art et la constitution des collections publiques et privées” (stimulate the interest of amateurs and to influence the taste, culture, art and formation of public and private collections) in the art of Japan. One of the publication’s chief sponsors was the fashionable London retail firm Liberty & Co. who had a full-page colour advertisement for their art fabrics on the back page of every issue of the English edition. The journal contains a series of illustrated essays on architecture, engraving, Hokusai’s “Man-gwa”, the decoration of swords, Ritsuo and his School, netsukés and okimonos, the theatre in Japan, Hiroshigé, the poetic tradition in Japanese art, Animals in Japanese art, and Korin. Among contributors to Artistic Japan were Edmond de Goncourt, Roger Marx, Victor Champier, and Eugène Guillaume. The editor of the English edition was Marcus B. Huish (1843-1921). |
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Title: The Artists Monthly
Place of Publication: London England
Publisher: The Artists Monthly
Frequency: Monthly
Period of Publication: 1925-1926
Period covered by AHR net: Vols, 1-2, 1925-1926
Type of Publication: Journal
Description: Primarily a fine art journal, however, also covered music, theatre arts and dance. Contained an eclectic mix of articles seemingly without any focus, including articles on Michelangelo; advertising as a career; Rembrandt as an etcher; making home movies; Hans Holbein the Younger; Van Dyck; Dante Gabriel Rossetti; wood engraving; Antoine Watteau; radio drama as a new art form; folk dancing in England, J.M.W. Turner; and the art critic Walter Pater. |
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Title: L'image
Place of Publication: Paris France
Publisher: A. Floury, Éditeur
Frequency: Monthly
Period of Publication: 1896-1897
Period covered by AHR net: Numbers 1-12, 1896-97
Type of Publication: Journal
Description: L’Image, subtitled Revue Mensuelle Artistic et Litteraire and as Revue Mensuelle Litteraire et Artistic, was published monthly in Paris between December 1896 and December 1897 by Henri Floury on behalf of the Corporation Française des Graveurs sur Bois. The editor was the engraver Tony Beltrand, who also provided art direction in collaboration with Léon Ruffe and Auguste Lepère The aim of L’Image was to promote and encourage the art of wood engraving. It featured original work by many of the leading engravers, illustrators, graphic artists and painters then active in France including Jules Chéret, Eugène Carrière, Fantin-Latour, Victor Prouvé, Henri Bellery-Desfontaines, Puvis de Chavannes, Jean Émile Laboureur, Alphonse Mucha, Maurice Denis, Eugène Froment, Léon Perrichon, Georges de Feure, Auguste Rodin, Kees van Dongen, Edgar Degas, Frédéric Florian, Georges Jeanniot, Clément Bellenger, Eugène Carrière, Lucien Pissarro, Jacques Beltrand, Adolphe Hervier, Eugène Dété, Paul César Helleu, Théodule Ribot Félix Vallotton, Albert Besnard, Félix Bracquemond, Daniel Vierge, Louis Dunki, Henri Rivière, Jean Veber. Eugène Béjot, Jean Jacques Drogue, Georges D'Espagnat and Armand Seguin. Among artists who were commissioned to design covers for L’Image were Alphonse Mucha, Toulouse-Lautrec, Henri Bellery-Desfontaines, Victor Prouvé, Paul Berthon, Georges de Feure, and Marcel Lenoir. |
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