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Title: The Acorn
Place of Publication: London, England England
Publisher: The Caradac Press
Frequency: Yearly
Period of Publication: 1905-1906
Type of Publication: Journal
Description: Short-lived Modernist magazine containing an eclectic mix of prose and poetry by W.B. Yeats, A.C. Benson, G.K. Chesterton, Alfred East, A.L. Baldry, Warwick Deeping, Constance Smedley, and others; and illustrations by Frank Brangwyn, Alfred East, Derwent Wood, H.G. Webb, etc See: Imogen Hart. ‘The Arts and Crafts Movement’ The Century Guild Hobby Horse (1884-94), The Evergreen (1895-7), and The Acorn (1905-6) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.120-141 See: Rebecca Beasley. Literature and the Visual Arts: Art and Letters (1917-20) and The Apple (1920-2)) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.485-504 |
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Title: The Apple
Place of Publication: London England
Publisher: Colour/Morland Press, Ltd.
Frequency: Quarterly
Period of Publication: 1920-1922
Period covered by AHR net: 1920-22
Type of Publication: Journal
Description: Published quarterly as an off-shoot of Colour magazine between January 1920 and April 1922. The magazine is divided into two distinct sections “Art”, which encompasses etchings, woodcuts, pencil drawings, etchings engravings, charcoal drawings, sculpture, lithographs, wash drawings, and aquatints, and "Letters”, which includes literary criticism, topical articles, poetry and short stories. Among the literary contributors are Ezra Pound, Kenneth Hare, Cecil French, Thomas Moult, W. H. Davies, Robert Grave, etc. Wyndham Lewis, Frank Brangwyn, John Nash, Gordon Craig, Steinlen, Randolph Schwabe, Joseph Southall, George Clausen, Paul Nash, Claude Lovat Fraser, Lucian Pissarro, Robert Gibbings, E, Knight Kauffer, Charles Ginner, Ethel Gabain, and others. |
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Title: Art and Letters
Place of Publication: London England
Publisher: Art and Letters
Frequency: Quarterly
Period of Publication: 1917-1920
Period covered by AHR net: Vols I-III, 1917-1920
Type of Publication: Journal
Description: Edited by the art critic Frank Rutter (1876-1937) and the painters Charles Ginner (1878-1952) and Harold Gilman (1876-1919). They had intended to launch the magazine in the autumn of 1914 but publication was delayed by the outbreak of war later that year. It eventually made its appearance in July 1917 and ceased with the Spring 1920 issue. Art and Letters was a quarterly survey of the avant-garde in British art and literature. In addition to Rutter, Ginner and Gilman, contributors included Herbert Read, Osbert, Sacheverell and Edith Sitwell, T.S. Eliot, Ezra Pound, Wyndham Lewis, A.E. Housman, Isaac Rosenberg, Ronald Firbank, Katherine Mansfield, Aldus Huxley. Artists whose work is illustrated included E. McKnight Kauffer, Gaudier-Breszka, Paul Nash, Walter Sickert, Nina Hamnett, Jacob Kramer, Edward Wadsworth, John Nash, and Jacob Epstein. |
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Title: Blue Review
Place of Publication: London England
Publisher: Martin Secker
Frequency: Monthly
Period of Publication: 1913
Period covered by AHR net: 1913
Type of Publication: Journal
Description: Short-lived Modernist magazine – only three issues published, May, June, July 1913. Edited by John Middleton Murry; with Katherine Mansfield as associate editor. It was a successor to Rhythm (1911-1913), of which Murry and Mansfield were also editors. Murry conceived The Blue Review as “the Yellow Book of the Modern Movement”, although in truth it doesn’t really stand up to comparison with its Fin de siècle predecessor, or Rhythm for that matter. Includes writings by Mansfield, D.H. Lawrence, Max Beerbohm, Walter de la Mare, James Elroy Flecker, W.H. Davies and Rupert Brooke. Artists whose work is illustrated include X. Marcel Boulstein, Stanley Spencer, G.S. Lightfoot, J.D. Innes, Frances Jennings, Max Berbohm, Ambrose McEvoy, Derwent Lees, Norman Wilkinson, and Harold Squire. |
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Title: The Butterfly
Place of Publication: London, England England
Publisher: W. Haddon
Frequency: Monthly
Period of Publication: 1893-1894, 1900
Type of Publication: Journal
Description: Edited by Leonard Raven-Hill and Arnold Golsworthy. “there was from the outset a delightful feeling of irresponsibility about the conduct of The Butterfly. One feels that the editors, who were also the proprietors, printed what they themselves appreciate, without having to keep a nervous eye on a soulless dividend-seeking board of directors” [Thorpe]. Raven-Hill provided many of the illustrations, including no less than 23 drawings for the first issue. Other artists who contributed illustrations to The Butterfly included Maurice Greiffenhagen, Oscar Eckhardt, Edgar Wilson, Paul Renouard, J.F. Sullivan and Adolph Birkenruth. The title was revived in 1899 but closed again after only a few issues. See: James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.170-174 |
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Title: Coterie
Place of Publication: London England
Publisher: Hendersons
Frequency: Quarterly
Period of Publication: 1919-1921
Period covered by AHR net: 1919-1921
Type of Publication: Journal
Description: Coterie was one of a number of short-lived literary and artistic magazines published during or immediately after World War One. Few of them survived for more than a few issues and Coterie was no exception, running for only 7 issues, including a double number (May 1919-Winter 1920/21). It was edited by Charman Lall (nos 1-5) and by Russell Green (nos.6/7). During its brief history, Coterie succeeded in attracting contributions from writers who were in the vanguard of the Modernist movement in Britain including T.S. Eliot, Aldus Huxley, Edith, Osbert and Sacheverell Sitwell, Herbert Read and Edmund Blunden. Artists illustrated in Coterie included Adrian Paul Allinson (who designed the cover of no.2), Walter Sickert, William Rothenstein, William Roberts (who designed the cover of no.3), Modigliani, Edward Wadsworth, John Flanagan, John Turnbull, David Bomberg (who designed the cover of no.4), Ossip Zadkine. André Derain, Mary Stella Edwards (who designed the cover of no.5), Alexander Archipenko, René Durey, and Nina Hamnett (who designed the cover of nos.6/7 and was on the Editorial Committee of Coterie). |
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Title: The New Coterie
Place of Publication: London England
Publisher: E. Archer
Frequency: Quarterly
Period of Publication: 1925-1927
Period covered by AHR net: 1925-1926
Type of Publication: Journal
Description: The New Coterie was the successor of Coterie (1919-1921) and was identical in its format, and similar in its contents. It consisted of six issues published between November 1925 and summer 1927. It is unclear who the editor was. It is thought that it may have been Russell Green who edited the last issue of Coterie. The front cover of each issue of The New Coterie was designed by William Roberts. Other artists whose work is reproduced in The New Coterie included Augustus John, William Rothenstein, Jean de Bosschère, Pearl Binder, Jacob Kramer, Karel Capek, Richard Wyndham, Nina Hamnett, Sidney Hunt, Bernard Meninsky, T.F. Powys, Frank Dobson, Eric Kennington, Cecil Salkeld, Stanley Spencer, and George William Bissill. Literary contributors included Nancy Cunard, Aldus Huxley, T.F. Powys, Rhys Davies, Liam O’Flaherty, D.H. Lawrence, Louis Golding, Karel Capek, and H.E. Bates. |
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Title: The Pageant
Place of Publication: London, England England
Publisher: Henry & Company
Frequency: Annual
Period of Publication: 1896-1897
Type of Publication: Journal
Description: Edited by C. Hazlewood Shannon and J.W. Gleeson White. Short-lived fin-de-siècle art and literary journal. Includes literary contributions by Charles Ricketts (who designed the cover of the journal), Lucien Pissarro, by Austin Dobson, Michael Field, Edmund Gosse, Victor Plarr, John Gray, Max Beerbohm and Selwyn Image. Artists whose work is illustrated include Dante Gabriel Rossetti, Laurence Housman, Charles Conder, Reginald Savage, Walter Crane, Gustave Moreau, Charles H. Shannon, Puvis de Chavannes, Edward Burne Jones, William Strang, Will Rothenstein, Giulio Campagnola, G.F. Watts etc. See: David Peters Corbett. Symbolism in British ‘Little Magazines’: The Dial (1889-97), The Pageant (1896-7), and The Dome (1897-1900 in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880- 1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.11-119 James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.200-201 |
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Title: The Palette
Place of Publication: Glasgow, Scotland Scotland
Publisher: Glasgow School of Art
Frequency: Annual
Period of Publication: 1919-1922
Type of Publication: Journal
Description: Contains prose, poetry and artwork by past and present students and staff and GSA. This issue also includes an article on poster design by E. McKnight Kauffer. The cover was designed by Norman Gorell. |
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Available: 1922; other issues will be available soon
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Title: The Quarto
Place of Publication: London, England England
Publisher: J. S. Virtue
Frequency: Annual
Period of Publication: 1896-1898
Type of Publication: Journal
Description: This was an annual (although two numbers were published in 1896). Edited by J. Bernard Holborn. Literary contributors included Gleeson White, G.K. Chesterton, Evelyn Sharp, Joseph Pennell, Edward F Strange, Netta Syrett, Percy Hemingway and Philip Treherne. Illustrated with work by Henry Tonks, Robert Hilton, G. F. Watts, Joseph Pennell, Alice B. Woodward, Thomas Cowper Gotch, D. Y. Cameron, A.E. Housman, Edward Burne-Jones, Augustus John, Paul Woodruffe, Walter Crane, A.J. Gaskin, George Clausen, etc. See: David Peters Corbett. Symbolism in British ‘Little Magazines’: The Dial (1889-97), The Pageant (1896-7), and The Dome (1897-1900 in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.111-119 James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.201-202 |
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Title: Rhythm
Place of Publication: London England
Publisher: St Catherine Press/Stephen Swift & Company/Martin Secker
Frequency: Nos.1-4, quarterly; thereafter monthly.
Period of Publication: 1911-1913
Period covered by AHR net: Vols 1-2, 1911-1913
Type of Publication: Journal
Description: The magazine was conceived and edited by John Middleton Murry and Michael T.H. Sadler. Katherine Mansfield later joined as assistant editor and by the fifth issue John Duncan Fergusson (who designed the cover) was named as art editor. Literary contributors included Murry, Mansfield, Sadler, Holbrook Jackson, Frank Harris, Haldane MacFall, and Rupert Brooke. Artists whos work is illustrated include J.D. Fergusson, Pablo Picasso, Jessie Dismore, Anne Estelle Rice, S,j. Peploe, Augustus John, André Derain, Margaret Thompson. Albert Marquet, André Denoyer de Segonzac, Henri Gaudier- Breszka, Jack B. Yeats, William Orpen, Horace Brodzky, Nathalia Goncharova, Albert Rothenstein and Mikhail Larionov |
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Title: The Savoy
Place of Publication: London, England England
Publisher: Leonard Smithers
Frequency: Journal
Period of Publication: 1896
Type of Publication: Journal
Description: 8 issues published. Nos.1-2 subtitled “An illustrated Quarterly”; nos.3-8 subtitled “An Illustrated Monthly”. Edited by Arthur Symons. The Savoy was launched as a competitor to The Yellow Book and in content and philosophy it was very similar, with overtones of the decadent and the avant-garde. Indeed many of the contributors also wrote for The Yellow Book. These included W.B. Yeats, George Bernard Shaw, Joseph Conrad, Arthur Symons, Havelock Ellis, Ernest Dowson, Edmond Gosse, George Moore and Edward Carpenter. Illustrators of The Savoy included Audrey Beardsley (who designed the front covers), Max Beerbohm, William Rothenstein, Phil May, J. McNeil Whistler, Charles Shannon, Charles Conder, Walter Sickert, and Joseph Pennell. See: Laurel Brake. Aestheticism and Decadence: The Yellow Book (1894-7), The Chemeleon (1894), and The Savoy (1896) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.76-100 James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.191-192. |
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Title: The Venture
Place of Publication: London, England England
Publisher: John Baillie/Pear Tree Press
Frequency: Bi-Yearly
Period of Publication: 1903, 1905
Type of Publication: Journal
Description: Only two volumes published. The 1903 volume was edited by Laurence Housman and W. Somerset Maugham. Maugham appears not to be involved in editing the 1905 volume. The 1903 volume contains Maugham’s first play, ‘Marriages are Made in Heaven’, along with contributions from G.K. Chesterton (first publication of 'The Philosophy of Islands'), Alice Meynell, Thomas Hardy (first publication of 'The Market- Girl'), A.E. Housman (first publication of 'The Oracles', Laurence Housman (‘Proverbial Romances’) John Masefield, Laurence Binyon, etc. The volume is illustrated with woodcuts by Charles Hazlewood Shannon, Charles Ricketts, T. Sturge Moore, Lucien Pissarro, E. Gordon Craig, Paul Woodroffe, and Laurence Housman (who also designed the front cover). The 1905 volume is particularly significant in containing the first appearance in book form of a work by James Joyce (‘Two Songs’). Other literary contributors included W. Somerset Maugham, Arthur Symons, T. Sturge Moore, G. K. Chesterton, and Thomas Hardy. Artists included are Charles Ricketts, Lucien Pissarro, E. Gordon Craig, J. Singer Sargent, J. M. Whistler, Frank Brangwyn, Augustus John, and Arthur Rackham. See: Laurel Brake. Aestheticism and Decadence: The Yellow Book (1894-7), The Chameleon (1894), and The Savoy (1896) in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880-1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.76-100 |
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Title: The Yellow Book
Place of Publication: London; Boston, Massachusetts England; USA
Publisher: E. Mathews & J. Lane; Copeland & Day
Frequency: Quarterly
Period of Publication: 1894-1897
Period covered by AHR net: Volumes 1-13, 1894-1897
Type of Publication: Journal
Description: In their prospectus to Volume 1 (April 1894), the publishers and editors of The Yellow Book wrote that is was their aim to “depart as far as may be possible from the bad old traditions of periodical literature, and to provide an Illustrated Magazine which will be as beautiful as a piece of book-making, modern and distinguished in its letter-press and its pictures, and withal popular in the better sense of the world." The Yellow Book captured the zeitgeist of the 1890s and, despite its short life, was highly influential both in Britain and abroad. Artists who contributed to the magazine included Aubrey Beardsley [who designed the cover of the first issue], Philip Wilson Steer, Walter Sickert, John Singer Sargent, Walter Crane, Charles Conder and William Rothenstein. Notable among literary figures that wrote for The Yellow Book were Henry James, H.G. Wells, Arnold Bennett, W.B. Yates, Edmund Gosse and George Gissing. |
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