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Browse this Journal: The Studio by clicking on the Article Title below
The Studio: 32 Chapters found for Volume : 69
Issue: 283 | |
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- | 1 pp. | |
2 | 1 pp. | |
3 | The True Rossetti T. Martin Wood |
13 pp. |
16 | The Art of Joseph Crawhall A. Stodart Walker |
5 pp. |
21 | Water-Colours by D. Murray Smith, A.R.W.S. E. G. Halton |
8 pp. |
29 | The Etchings of Robert Spence, R.E. Frank Gibson |
8 pp. |
37 | 3 pp. | |
40 | Studio-Talk Jules Destrée |
12 pp. |
52 | 2 pp. | |
54 | The Lay Figure: On the Art of Calligraphy The Lay Figure |
1 pp. |
Issue: 284 | |
|
56 | 1 pp. | |
57 | Some Notes on the Paintings of Lucien Pissarro J. B. Manson |
9 pp. |
66 | Arts and Crafts at the Royal Academy William T. Whitley |
11 pp. |
77 | The Paintings of Pilade Bertieri A. Lys Baldry |
10 pp. |
87 | Studio-Talk J. T. |
17 pp. |
104 | 2 pp. | |
106 | The Lay Figure: ON Discretion in Design The Lay Figure |
1 pp. |
Issue: 285 | |
|
108 | 1 pp. | |
109 | 10 pp. | |
119 | 1 pp. | |
120 | Arts and Crafts Exhibition at the Royal Academy (Second Article) William T. Whitley |
12 pp. |
132 | Henri Harpignies: In Memoriam Frederic Lees |
5 pp. |
137 | 3 pp. | |
140 | 14 pp. | |
154 | 6 pp. | |
160 | The Lay Figure: On Discretion in Colour The Lay Figure |
1 pp. |
Issue: 286 | |
|
162 | 1 pp. | |
163 | The Buccleuch Miniatures at the Victoria and Albert Museum. T. Martin Wood |
15 pp. |
178 | 11 pp. | |
189 | Arts and Crafts at the Royal Academy (Third Article) William T. Whitley |
8 pp. |
197 | Studio-Talk J. G. M. |
14 pp. |
211 | 1 pp. | |
212 | The Lay Figure: On Holding What We Have The Lay Figure |
1 pp. |
Browse this Journal: The Studio by Volume by clicking on the cover image below
The Studio: 84 Volumes found
Title: The Studio
Place of Publication: London England
Publisher: The Studio Ltd.
Frequency: Monthly
Period of Publication: 1893-1964
Period covered by AHR net: Volumes 1-84, 1893-1922
Type of Publication: Journal
Description: The Studio was one of the most respected and influential art journals published in Britain. It was international in its coverage, and contained, long, often well-illustrated articles on all aspects of the decorative, fine and applied arts. It included contributions from many of the leading art critics of the day, e.g. Aymer Vallance, Fernand Knopff and A. Lys Baldry. Each issue of The Studio also contained a round-up of the latest art news, reports on recent exhibitions, and book reviews. The Studio played an important role in promoting trends and developments in contemporary art and was largely responsible for establishing the reputations of many artists notably Aubrey Beardsley, James McNeill Whistler, and the artists of the Glasgow School. |
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